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清董教增羅浮山圖　軸

說紀錄的性質。作者董教增（一七五○－一八二二），字益甫，江蘇上元人，官至閩浙總督，曾於嘉慶年間任官廣東巡撫，對於羅浮山地理、民俗了解相當深入。&*Lo-fu Mountains Tung Chiao.....more

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name Shih-ku) was a native of Ch’ang-shu. He received instruction in landscape painting from Wang.....more

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hao (sobriquets) were Yu-shih, Chiu-lung-shan-jen, and Ch'ing-ch'eng-shan-jen. During the Yung -lo.....more

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; his sobriquets Yü-shih, Chiu-lung shan-jen and Ch'ing-ch'eng shan-jen. During the Yung-lo.....more

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Shih Jui. In a colophon attached to this painting, the Yung-lo period bureaucrat Liu Hsiang stated.....more

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for their achievements were Hung-jen, Shih-t’ao and Mei Ch’ing. It is said that “Shih-t’ao got.....more

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一六七四年。畫松竹林野之間，手執鋤頭的青年石濤坐在松前，意態悠閒。乾渴的筆墨與清晰的線條性在畫家早年風格中常見。本幅為羅家倫先生捐贈。&*Shih-t'ao was a descendant.....more

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hat of Wang Hsi-chih (4th century). “Jade Dew in the Heron Grove” is the title of a book written by Lo.....more

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. This figure is probably the Nymph of the Lo River. Immortalized in the famous prose poem by Ts’ao.....more

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and calligraphy served as models for later generations. Wang Shih-mou, a critic of the Ming dynasty, once.....more

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resigned from his position as Vice Censor-in-chief as a result of a disagreement with Wang An-shih, who.....more

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) was a native of Lo-yang who was also known at the time as Lo-ch'uan hsien-sheng. Of noble and refined character.....more

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