符合的藏品

共找到 70 筆符合的資料

明文徵明獨樂園圖并書記　卷

Wen Cheng-ming, a native of Soochow, was the student of Shen Chou and gifted at both painting.....more

61/70

;an and those of Shen Chou and Wen Cheng-ming. In his later years, he used dry ink sparingly to create hills.....more

62/70

represents a clear departure from the style of Wen Cheng-ming and is from Lu's mature period. &*　陸治（西元一四九.....more

63/70

，墨法乾濕互用，變化繁多。又觀跋中語，似是授徒稿之類，故於飄逸清妍之墨趣中，仍具規矩準繩。 &*Wen Cheng-ming, a native of Soochow, excelled.....more

64/70

Sung (960-1279) artists, while others are in the manners of Shen Chou (1427-1509) and Ch’en Ch’un.....more

65/70

響顯著。畫竹常以墨色來表現，作者在此卻以朱色畫之，就連款識也用朱書，滿紙映紅，別有一番視覺感受。而兩竿朱竹，瘦硬挺拔，用筆含蓄內蘊，卻可見書法中永字八法的筆法。&*Wen Cheng-ming.....more

66/70

to about age 30, are related to the styles of Shen Chou and Wen Cheng-ming; between 30.....more

67/70

，畫其置身於寒林，自屬合宜。惟明代的文人畫家，諸如文徵明、錢穀（1508—1578後）等人筆下，往往以笏板取代寶劍，一改昔日鍾馗舉劍揮舞的武將形象，遂爾演成「文相鍾馗」的典型。&*Wen Cheng.....more

68/70

. A student of Wen Cheng-ming (1470-1559), he excelled in landscape painting. P’eng Nien also was a native.....more

69/70

, was (along with Shen Chou, Wen Cheng-ming, and Ch’iu Ying) one of the Four Ming Masters. This work shows.....more

70/70

第 5 頁

共 5 頁