符合的藏品

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民國蕭俊賢青綠山水圖　軸

of the Four Wangs, he later studied the virtues of Song and Yuan masters to form a style of his own.....more

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the Yuan masters. At the end of the Ming, the collector Gu Congyi had Gu Kaizhi’s Admonitions.....more

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in the late Qing. In the Republican era he was Director of the Control Yuan. He excelled at poetry.....more

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in Shaanxi province, in his early years joined the revolutionary Tongmenghui group. After the Qing.....more

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二歲以後畫。&*Wang Yuan-ch'i was a native of T'ai-ts'ang, Kiangsu. A grandson of Wang Shih-min (1592-1680.....more

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，用墨飽含水份，濃淡相暈，頗有淋漓痛快的感覺，也呈現出了在風中的動態；王原祁亦以寫意筆法補坡石，但相對之下，則顯得較為收斂。&*Yuan-chi, also known as Tao-chi.....more

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)&*Attributed to an anonymous artist, Yuan dynasty (1279-1368) Hanging scroll, ink and colors on silk.....more

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place in the civil service exams of 1745. In painting, he looked back to the Four Yuan Masters and more.....more

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of the “Four Wangs” of the Orthodox School in the early Qing dynasty. The mountain form and composition.....more

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, and motifs is similar to Wang Shimin’s “Copying Huang Gongwang’s Imitation of Dong Yuan’s ‘Summer.....more

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and studies, becoming head of the Four Wangs of the Early Qing. This landscape after the Yuan dynasty.....more

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n flowers, initially learned from the style of Chen Chun (1483-1544) before turning to the Song and Yuan.....more

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