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披薰集古 冊 明丁雲鵬太極真隱

披薰集古 冊 明丁雲鵬太極真隱

) was a native of Hsiu-ning, Anhwei. He excelled at painting Taoist and Buddhist figures and his pai.....more

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清丁觀鵬畫唐明皇擊鞠圖 卷

清丁觀鵬畫唐明皇擊鞠圖 卷

. His work presents the classic model of Ch'ing court figure painting. This painting is a pai-miao.....more

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宋李公麟人物真蹟 卷

宋李公麟人物真蹟 卷

of technique, the scroll is executed in the “uncolored outline” ( pai-miao ) method, a method in which.....more

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明李宗謨蘭亭修褉圖 卷

明李宗謨蘭亭修褉圖 卷

代晚期,所受明中期著名畫家影響,是理所當然。 &*Wang Hsi-chih at the Orchid Pavilion Li Tsung-mo (fl. 16th -17th c.) Ming.....more

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名繪集珍 冊 宋賈師古巖關古寺

名繪集珍 冊 宋賈師古巖關古寺

and Taoist figures, the style for which he patterned after Li Kung-lin (1041-1106). His pai-miao.....more

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明趙原初蘭亭圖 卷

明趙原初蘭亭圖 卷

and clerical script calligraphy as well as pai-miao outline figure painting. This work reveals.....more

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明顧正誼山水 軸

明顧正誼山水 軸

tive of Hua-t’ing, Kiangsu. His style name was Chung-fang, his sobriquet T’ing-lin. During the Wan –li.....more

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明宋旭雲巒秋瀑圖 軸

明宋旭雲巒秋瀑圖 軸

figure subjects. In the Wan-li period (1573-1620) he achieved nation wide fame and his wall.....more

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明丁雲鵬十八應真像 軸

明丁雲鵬十八應真像 軸

drawing style (pai-miao) of Li Kung-lin (1049-1106) from the Sung dynasty. He is considered a late.....more

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明關思秋林聽泉 軸

明關思秋林聽泉 軸

;-pai, Chiu-ssu and Chung-t’ung. Excelling in landscape painting, Kuan Ssu and Sung Hsü were.....more

10/23
明董其昌霜林秋思 軸

明董其昌霜林秋思 軸

sobriquet Ssu-pai. Receiving his chin-shih civil service degree during the Wan-li period (1573-1619.....more

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明董其昌臨鍾王帖 冊

明董其昌臨鍾王帖 冊

。&*Tung Ch'i-ch'ang (style name Hsüan-tsai and sobriquet Ssu-pai) was a native of Hua-t'ing.....more

12/23
明吳彬月令圖 卷

明吳彬月令圖 卷

Dynasty Wu Pin (style name; Wen-chung) was a native of Pu-t’ien who lived during the Wan-li.....more

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明人畫扇集冊 冊 明丁雲鵬應真像

明人畫扇集冊 冊 明丁雲鵬應真...

at painting Buddhist and Taoist figures, acquiring the methods of Wu Tao-tzu (fl. 710-760) and the pai.....more

14/23
宋李公麟畫歸去來辭 卷

宋李公麟畫歸去來辭 卷

〉,收入王耀庭編,《淵明逸致特展圖錄》(臺北:國立故宮博物院,1988年初版),頁98。 2.彭家鳳,〈中國清代以前繪畫中犬的形象〉,《議藝份子》,第6期(2004年4月),頁27-41。 &* 《宣和.....more

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