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元人法書　冊　倪瓚書詩五則

之淵明。本幅書風天然古澹，無一點俗塵，是倪書之佳構。本幅為「元人法書」冊第二開。&*Ni Tsan (style name; Yuan-chen, sobriquets; Yun-lin, Yu.....more

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style of Ni Zan. According to the inscription of praise by Zhang Yu, we learn that this is a portrait.....more

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style of Ni Zan. According to the inscription of praise by Zhang Yu, we learn that this is a portrait.....more

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清逸，倪瓚稱其詩文字畫為「道品第一」。通幅書作，運筆放縱，流轉自如，勁健灑脫，用墨濃時而枯，淋漓痛快。結體圓實，行筆瀟灑之處，可看出早年學趙孟頫的跡象。(20091015) &* Zhang Yu.....more

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，與倪瓚、楊維禎和黃公望等常相過從。本幅為「宋元墨寶」冊之一，字劃清雅，有晉人風神，他的楷書書風和倪瓚接近，有天然古澹之趣。&*Chang Yu was a native of Chekiang.....more

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the styles of the Yuan scholar-artists Wang Meng and Ni Tsan, progress was even easier for him.....more

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。章法疏朗，呈現一派平和恬淡之象，道人書家超塵絕俗的「仙氣」若現其間。選自「元人法書」第七幅。 &* Chang Yu, a native of Chekiang, was a famous.....more

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國立故宮博物院石渠寶笈初編（重華宮），下冊，頁712-714&*故宮書畫錄（卷三），第一冊，頁252-253&*故宮歷代法書全集，第十六冊，頁68-91、173-179&*Chang Yu.....more

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。 &*Wang Fu was a native of Wu-hsi in Kiangsu. His style name was Meng-tuan and his sobriquets Yu-shih.....more

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at the pure and unsullied character of the calligrapher for which he was renowned. Ni K'uan (?-103.....more

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