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清周亮工集名家山水 冊 明項聖謨松下觀泉

清周亮工集名家山水 冊 明項聖...

collector Hsiang Yüan-pien. Hsiang Sheng-mo first learned to paint landscapes in the manner of Wen.....more

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花卉畫冊 冊 明項元汴竹石幽蘭

花卉畫冊 冊 明項元汴竹石幽蘭

」第六開。 &*Hsiang Yüan-pien (style name Tzu-ching, sobriquet Mo-lin chü-shih), a native.....more

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明項聖謨三祝圖 軸

明項聖謨三祝圖 軸

-ming, then he had expanded his repertory by studying Sung and Yüan dynasties works. His.....more

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清張宗蒼西湖圖 軸

清張宗蒼西湖圖 軸

. His style name were Mo-ts’un and Mo-ts’en. He also used Huang-ts’un as his hao. He excelled.....more

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藝林清賞 冊 清徐恆蜜蜂芙蓉

藝林清賞 冊 清徐恆蜜蜂芙蓉

painting. He especially admired the styles of Shen Chou and Li Liu-fang of the Ming dynasty, and he also.....more

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明呂紀秋渚水禽 軸

明呂紀秋渚水禽 軸

家有極大的影響。(譚怡令) Geese on a Bank in Autumn Lü Chi (act. ca. 1439-1505) Ming Dynasty Lü Chi.....more

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明莫是龍東岡草堂圖 軸

明莫是龍東岡草堂圖 軸

。 &* Mo Shih-lung, was a native of Hua-t’ing in Kiang-su, but later moved to Shanghai. An unusual.....more

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明項聖謨孤山放鶴圖 軸

明項聖謨孤山放鶴圖 軸

studied Wen Cheng-ming’s style and went further back to Sung and Yüan traditions, not wishing.....more

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明項聖謨後招隱圖 卷

明項聖謨後招隱圖 卷

隱居為畫題,歌頌田園樸素生活的情景。現今所見有三卷招隱圖,這幅應是第二卷,所以名為後招隱圖。全畫布局及筆墨都很精整,應是中年時期的用意之作。 &* Hsiang Sheng-mo.....more

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明項聖謨山水小景 軸

明項聖謨山水小景 軸

幅近景高山聳立,兩山間隱見遠處房舍竹林,為深遠式構景;三幅為一角式構圖,主題古廟坡石偏居右下角,隔江沙洲綿延,一片江天遼闊之景。&* Hsiang Sheng-mo, a native.....more

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明項聖謨畫蘆雁 軸

明項聖謨畫蘆雁 軸

,若有蕭瑟凜栗之氣,可謂善畫者以意勝也。 &* Hsiang Sheng-mo, a native of Chia-hsing, Kiangsu province, was the grandson.....more

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