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宋四家真蹟　冊　宋米芾書論書

論調, 常見於米氏書論. 本幅書風則全宗二王, 不涉唐人狂草一筆, 足見米芾之理論與實踐確係相輔相成. 本幅選自「宋四家真蹟」冊. &*Mi Fu, a native of Hupeh, served.....more

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e position of Military Commissioner of the Chen-an Troops. As the nephew of Emperor Kao-tsung.....more

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under Emperor Jen-tsung. Mi's characters were strongly influenced by those.....more

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更變，有識之士有鑑於此，紛紛改弦易轍，回歸傳統，高宗亦是其中之功臣也。&Emperor Kao-tsung(original name Chao Kou; style name.....more

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and Hsin-hua Academy of Art. In 1929, he formed the Mi-feng Painting Society. He excelled at calligraphy.....more

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, Mi Fu, and Huang T'ing-chien, in the garden of Wang Shen, an imperial relative. The major figur.....more

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” of the Southern Sung emperor Kao-tsung (r. 1127-1162), suggesting it is probably a Sung outline copy of Mi Fu.....more

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was a friend of the calligrapher-collector Mi Fu and Liu Ching. In his own calligraphy, he studied.....more

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. Chao Meng-fu's early calligraphy followed that of Sung Kao-tsung (1101-1187). Later, his small regular.....more

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of Kiangnan and served as Painter-in-Attendance during the reign of Hsüan-tsung(r.943-960.....more

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at calligraphy, becoming known for the edicts that he drafted under Emperor Su-tsung.....more

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