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明邵彌畫蓮華大士像　軸

手肘都用淡墨細筆鉤畫，十分細緻，可是其他部分則隨手寫來，瀟灑奔放。全作不遵循佛教圖像規矩，文人的色彩濃厚，是觀音畫的另一類型。&*Kuan-yin of the Lotuses Shao Mi (fl.....more

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the Kuan-yin Bodhi-sattva. Above Kuan-yin’s head can be seen the A-mi-t’o (Amitābha) Buddha seated.....more

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and calligraphy. A white-robed Kuan-yin is seated on a bamboo covered cliff. Behind her, a small.....more

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高士（士人、隱士）奇石溪澗、湍泉侍從（侍女、童僕）竹柏文玩（琴棋書畫）欄杆國立故宮博物院石渠寶笈三編（延春閣），第五冊，頁2094&*故宮書畫錄（卷六），第四冊，頁98&*　　邵彌.....more

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Huang T’ing-chien (1045-1105), the painter Mi Fu (1052-1107), the poet and calligrapher Ch'in Kuan (1049.....more

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be best seen in his semi-cursive scripts. The T'ang critic Chang Huai-kuan wrote of his work, it has.....more

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