符合的藏品

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明劉度仿趙承旨長春翠柏　軸

。 &* Liu Tu, a native of Chekiang province, excelled at landscape painting and initially studied.....more

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丁卯（一二○七），下限為元貞乙未（一二九五），極可能為宋寧宗收藏印。&Liu Sung-nien, a native of Chekiang, was a student.....more

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談。作者雖無題款說明所畫主題，就當時習好，所畫當是宜興張公洞。畫法上青綠顏色只施於少數山頭，與同幅中赭色對比，益顯出色。這也是青綠山水以少許來表答的一種方式。&* Liu Tu (style name.....more

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「內府書畫」印在時間上之上限為開禧丁卯（一二○七），下限為元貞乙未（一二九五），極可能為宋寧宗收藏印。&Liu Sung-nien, a native of Chekiang.....more

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, Vo1. Ⅱ, pl. 89b), “Orange Groves in Bloom” by Chao Ling-jang.....more

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School painters as Li Ssu-hsun and Chao Po-chü. Liu Tu’s works are noted for their elegance.....more

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群聚，筆意雅秀，與呂紀一派風格較為接近。 &* Liu Chao (style name Ch’ao-yün) was a native of Shao-hsing, Chekiang.....more

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, Kiangsu province, T’ang Yin’s style names were Tzu-wei and Po-hu; his sobriquet was Liu-ju. He.....more

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, a later owner, this album was originally in the collection of Li Chao-heng and it is recorded in Liu.....more

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himself Liu-ju-chü-shih. A skilled calligrapher and painter, T’ang modelled himself on earlier.....more

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