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符合的藏品
共找到 52 筆符合的資料
明文徵明倣古山水 軸
are covered with light washes of mineral blue and green. Since the heavy colors have been much reduced.....more
- 1/52
宋朱銳山閣晴嵐 冊頁
was a master at painting details and constructing interesting compositions. In blue-and-green.....more
- 2/52
宋朱銳山閣晴嵐 冊頁
was a master at painting details and constructing interesting compositions. In blue-and-green.....more
- 3/52
清乾隆緙絲花鳥宮屏 軸
is composed of complementary colored threads of blue, green, and ochre. The light, elegant hues impart.....more
- 5/52
鏤繪集錦 冊 仙山樓閣
致表現。 &*This tapestry of colors on a light ochre background is done in imitation of “blue-and-green.....more
- 6/52
清惲壽平摹古 冊 水仙
tones to create light and dark washes, while the centers of the blossoms were given a light touch.....more
- 7/52
鏤繪集錦 冊 山果寒禽
」第七幅。（童文娥）&*The multiple colors of silk thread in this tapestry stand out against the blue silk.....more
- 8/52
民國蕭俊賢青綠山水圖 軸
, becoming renowned in late Qing and early Republican painting circles. He often worked in light crimson.....more
- 9/52
明文徵明倣趙伯驌後赤壁圖 卷
Chao Po-su (1124-1182), but the light blue-and-green coloring reveals the literati landscape.....more
- 10/52
宋緙絲萱蓉芝秀圖 軸
和色方法，使色彩的深淺變化層次暈染有致，強調萱草的翻轉姿態，畫面寫實自然，可見緙工技術造詣之不凡。&*Woven in color against a blue background.....more
- 13/52
宋沈子蕃緙絲山水 軸
like a blue-and-green landscape. Volume and light are most difficult to suggest in tapestry.....more
- 14/52
明人畫扇（亨） 冊 明陸治寫支...
often combined the brush method of Ni Tsan with the ancient method of applying blue and green color.....more
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