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名畫集真 冊 五代李贊華射騎圖

名畫集真 冊 五代李贊華射騎圖

。 A warrior armed with bow and arrows stands before his mount. The critic Kuo Jo-hsü (fl. 11th.....more

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元李容瑾漢苑圖 軸

元李容瑾漢苑圖 軸

and trees in the landscape setting as well as the moist brushwork all originated in the Li Ch’eng and Kuo.....more

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元唐棣霜浦歸漁圖 軸

元唐棣霜浦歸漁圖 軸

of Chao Meng-fu, but later also turned to the styles of Wei Yen, Li Ch'eng and Kuo Hsi.....more

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宋李成寒江釣艇 軸

宋李成寒江釣艇 軸

are steady. The artist here was obviously familiar with the style of Li Ch’eng and Kuo His (fl.11th c.....more

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歷代畫幅集冊 冊 無款古木竹石

歷代畫幅集冊 冊 無款古木竹石

Sung (960-1127) Li-kuo "crab-claw" manner. The brush method of the trees and rocks is spirited.....more

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明戴進畫山水 軸

明戴進畫山水 軸

) Li-Kuo School. The foreground shows a water kiosk with rocky slopes on either side done in “axe-cut.....more

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名繪集珍 冊 無款荷亭銷夏

名繪集珍 冊 無款荷亭銷夏

, the brushwork in the middle distance appears somewhat in the Li Ch'eng-Kuo Hsi (10th-1lth cent.) manner.....more

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宋李成寒林圖 軸

宋李成寒林圖 軸

trees in the Li Ch’eng and Kuo Hsi tradition. In terms of style, this may be a work by a northern.....more

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宋郭熙觀碑圖 軸

宋郭熙觀碑圖 軸

attribution is to Kuo Hsi, but the style suggests the hand of a Yuan dynasty (1279-1368) painter. Kuo Hsi.....more

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五代南唐李坡風竹 軸

五代南唐李坡風竹 軸

曳,舊傳為李坡作品。然以竹葉出枝,與焦墨枯筆畫法論,頗似元人作風。 &*Li P’o, a native of Nan-ch’ang in Kiangsi, excelled at painting.....more

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宋郭熙關山春雪圖 軸

宋郭熙關山春雪圖 軸

。郭熙山水深得李成真傳,小變其法,蟹爪樹枝與雲頭皴法是其特色。此幅林木寒肅,山頭峻厚,情景極佳。&*Kuo Hsi (style name; Shun-fu) came from Wen-hsien.....more

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集古名繪 冊 宋李唐大江浮玉

集古名繪 冊 宋李唐大江浮玉

. The use of brush and ink is similar to those in Kuo Hsi's Early Spring, while the spacious.....more

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唐孫過庭書孝經 冊

唐孫過庭書孝經 冊

colophon, that he has retouched these areas.&*Sun Ch'ien-li (fl. 685-687) came from Ch'en-liou. His.....more

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宋李公麟免冑圖 卷

宋李公麟免冑圖 卷

by an army headed by Uighurs. Kuo Tzu-i (697-781) was ordered to defend Ching-yang.....more

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元曹知白貞松白雪軒圖 軸

元曹知白貞松白雪軒圖 軸

of Kuo Hsi (ca. 1001-ca. 1090). Two twist pine trees stand in the foreground with their branches gr.....more

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