符合的藏品

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明沈周墨菊　軸

executed with great care. The full-bodiedness carries a sinking penetration recalling Sun Ch'ien-li's (T.....more

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came from Hunan, he also went by the sobriquet Heng-shan chu-shih. He learned calligraphy from Li Ying.....more

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of painting landscapes and figures from Chang Tun-li. Liu’s paintings often.....more

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Meng-fu has drawn this man and horse in the white-outline (pai-miao) method.....more

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mountain forms of “stones like clouds moving,” this work is clearly in the Li-Guo (Li Cheng and Guo Xi.....more

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of calligraphy by Li Xitai (Jianzhong) entitled “Dream Visions Day and Night” from a friend’s collection.....more

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, such as the Mongol Taoist Chang yen-fu and the Central Asian scholar Yü Ch'üeh.....more

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masters: in calligraphy he followed Chao Meng-fu, Li Yung and Yen Chen-ching; in painting Chou Ch’en.....more

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Shih-fu, was a native of T’ai-ts’ang in Kiangsu Province. He was of humble origins and worked.....more

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drapery lines, revealing the features of Li Kung-lin's (1049-1106) and Chao Meng-fu's (1254-1322) styles.....more

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communicates an atmosphere of isolation and tranquility. This is the second leaf from the album Li-ch’ao hua.....more

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