搜尋:later work 在 書畫 分類當中

符合的藏品

宋李成群峰霽雪 軸

宋李成群峰霽雪 軸

refuge in Ying-ch’iu. This work depicts snowy peaks and wintry trees interspersed with a stream.....more

166/375
五代梁關仝畫山谿待渡圖 軸

五代梁關仝畫山谿待渡圖 軸

. The composition of this work is similar to Sitting Alone by a Stream in the Museum collection.....more

167/375
宋劉松年補衲圖 軸

宋劉松年補衲圖 軸

, in comparison, appears somewhat different from them. It is probably a work from the Yüan dynasty (1279.....more

168/375
元高克恭雨山圖 軸

元高克恭雨山圖 軸

this work, enabling him to better depict the damp, hazy weather conditions. Kao K'o-kung (whose.....more

169/375
元郭畀寫高使君意 軸

元郭畀寫高使君意 軸

be the work of a later artist. 本幅 81.5x30.6公分、全幅 54公分 元順帝至元五年(1339) 類型:繪畫 型式:靜態圖像 郭畀 數位化執行單位:國立故宮博物院 元郭.....more

170/375
元趙孟頫觀泉圖 軸

元趙孟頫觀泉圖 軸

had a great influence on later generations. In this painting, hoary pines stand wedged between two.....more

171/375
元王蒙長江萬里圖 卷

元王蒙長江萬里圖 卷

, suggesting the work of a later artist to which Wang's name was added. 本幅 50.2x1348.1公分、拖尾 50.2x128公分、引首 50.....more

172/375
明仇英畫觀世音菩薩 軸

明仇英畫觀世音菩薩 軸

of the lines and details differ considerably from that of Ch’iu Ying, indicating this to be a work.....more

173/375
明呂紀畫花卉翎毛 軸

明呂紀畫花卉翎毛 軸

of the early Ming dynasty pinater, Pien Wen-chin. He later emulated the works of the T’ang (618-907.....more

174/375
明呂紀桃柳雙鳧圖 軸

明呂紀桃柳雙鳧圖 軸

of the early Ming dynasty painter, Pien Wen-chin. He later emulated the works of the T’ang (618-907.....more

175/375
明沈周春華晝錦 軸

明沈周春華晝錦 軸

with thick layers of dark moss dots, suggesting lush trees on a spring day. Though this work bears a Shen.....more

176/375
明鄭重畫釋迦牟尼佛 軸

明鄭重畫釋迦牟尼佛 軸

, but later moved to Nanking. He was fond of living in the upper stories of buildings, and it was his.....more

177/375
明崔子忠雲林洗桐圖 軸

明崔子忠雲林洗桐圖 軸

’ung tree. This ritual became the popular subject of many later paintings such as this one by Ts’ui Tzu.....more

178/375
明吳彬文杏雙禽圖 軸

明吳彬文杏雙禽圖 軸

Wu Pin (fl. late 16th century) Ming Dynasty Wu Pin was a native of P’u-ti’en but later moved.....more

179/375
明顧正誼溪山秋爽 軸

明顧正誼溪山秋爽 軸

Ch’i-ch’ang was one of his students. The format of this work is long and narrow. The mountains seem.....more

180/375

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