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清王翬千巖萬壑圖 軸

清王翬千巖萬壑圖 軸

厚潤,是石谷佳作。畫時年六十二歲。 &*Wang Hui was a native of Ch’ang-shu, Kiangsu. His style name was Shih-ku and his.....more

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清王翬畫石磴林泉 軸

清王翬畫石磴林泉 軸

皴紋,有的如范寬之「雨點皴」,有的如「斧劈皴」,再加上枯墨的皴擦,更具有方硬厚重之意。 &* Wang Hui, tzu (style name) Shih-ku, hao(sobriquet.....more

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清張若靄繪圖高宗御筆秋花詩 軸

清張若靄繪圖高宗御筆秋花詩 軸

室仍以界畫,並摻用透視法工筆描繪。畫成於乾隆十一年(一七四六)。 &Illustration of Ch’ien-lung’s Poem on Autumn Flowers.....more

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清鄒元斗花卉 冊 梅

清鄒元斗花卉 冊 梅

, hao Ch’un-ku and Lin-wu shan-jen) was active during the K’ang-hsi period (1662-1722). He.....more

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清顧雲臣雪景 軸

清顧雲臣雪景 軸

眞。   畫山中靜居,撫琴為樂。筆法甚為工整,用筆擅運中鋒,畫山頗得子久(黃公望)筆意。 &* Ku was a native of T’ai-ts’ang in Kiangsu province.....more

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披薰集古 冊 明鄭重畫閒窗對語

披薰集古 冊 明鄭重畫閒窗對語

as the reincarnation of the famed Chao Po-chü. Visible through the bright window, two scholars chat.....more

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披薰集古 冊 明張宏畫秋江夜渡

披薰集古 冊 明張宏畫秋江夜渡

chose the subject from Song of the P’i-p’a by Po Chü-i, completing it in 1628 at the age of 51.....more

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明顧正誼溪山秋爽 軸

明顧正誼溪山秋爽 軸

。  本幅畫面狹長,山脈從頂端分段發展而下,條理分明。筆力工整,淡墨乾筆皴法,描寫頗為細膩。設色以淺赭石和花青為主,淡雅而明亮。樹木、人物造型簡練,表現近似晚期「吳派」的作風。 &* Ku Cheng.....more

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清蔣廷錫月來香圖 軸

清蔣廷錫月來香圖 軸

。 &* Chiang T’ing-hsi was a native of Ch’ang-shu, Kiangsu province. His style names were Yang-sun and Yu-ch.....more

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元顧安竹石 軸

元顧安竹石 軸

鋒,勁利而凝重。所作小筍,用筆婉轉盡態,可謂得其神似矣。本幅成於至正十九年(一三六O)。&*Ku An's dates are unknown, but his works are dated.....more

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五代南唐顧閎中畫韓熙載夜宴圖 卷

五代南唐顧閎中畫韓熙載夜宴圖 ...

高手摹本。 &*Ku Hung-chung was a native of the Kiangnan region who served as a Painter-in-Attendance.....more

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明唐寅陶穀贈詞圖 軸

明唐寅陶穀贈詞圖 軸

,中主持觥立,使蒻蘭出歌侑酒,穀大慚而罷,是圖乃繪陶穀驛舍中事。 &T’ao Ku Presenting a Lyric to Ch’in Jo-lan T’ang Yin.....more

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明錢穀白嶽遊圖 冊

明錢穀白嶽遊圖 冊

),畫成這套紀遊圖冊,雖然是想像而成,其中名勝仍可按圖索驥,而紀實中又不失雅逸的畫風。 &* Ch’ien Ku was a native of what is now Soochow. Having.....more

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宋蘇漢臣重午戲嬰圖 軸

宋蘇漢臣重午戲嬰圖 軸

reign (1131-1162). Su Han-ch'en studied with Liu Tsung-ku. He excelled as a figure painter, especially.....more

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清蔣廷錫臨揚補之梅竹 卷

清蔣廷錫臨揚補之梅竹 卷

Hsi-ku) was a native of Ch’ang-shu. As an official, he rose to the rank of Grand Secretary of the Wen.....more

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