符合的藏品

共找到 10 筆符合的資料

元倪瓚?林遠岫圖　軸

（一三七二）年款，時七十二歲。然本幅題款，實摹自本院藏倪氏真本「容膝齊圖」。用筆亦無倪氏一代大家之健勁，顯係後代摹品。 &* Ni Tsan (style name Yüan-chen.....more

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高士（士人、隱士）侍從（侍女、童僕）竹梅（白．紅．蠟梅）欄杆文房用具傢俱（屏風）國立故宮博物院故宮書畫錄（卷八），第四冊，頁160&* Ma Yüan (style.....more

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Tung Yüan and Chü-jan, capturing the strength of Sung and Yüan masters. As his brushwork.....more

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painting he followed the school of Tung Yüan (d. 962) and Chü-jan (fl. ca. 960-980) while.....more

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Hsin (style name Jung-mu) was a native of Shanghai, though he is sometimes said to be from Wu-hsi. He.....more

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用側筆折帶皴，表現層石積疊之狀。復用乾筆橫臥點苔，顯現出蒼茫的氣氛。枯木疏林，平坡亭子，皆受倪瓚畫風影響。 &*Yung Jung（1743-1790）（tzu Chiu-ssu chü.....more

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here, including the figures, appear very lively. Though bearing no signature, many of the great Y.....more

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轉流暢，殆源自李成、郭熙，而略近唐棣，顯見李郭派風格在元代深受畫家喜愛，並予以廣泛運用。&*Li Jung-chin studied the ruled-line manner.....more

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較多，中鋒多於側筆，近坡皴多染少，皴筆亦特覺清勁。&*Ni Tsan (tzu Yüan-chen, hao Yün-lin, Yü-weng) was a native.....more

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on that of the Five Dynasties master Tung Yüan (fl 937-975), but was also influenced.....more

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