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符合的藏品

宋人畫魚籃觀音 軸

宋人畫魚籃觀音 軸

Sutra, and he was surnamed Ma. The new bride, however, died right after marriage. A high monk then told.....more

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歷朝名繪 冊 宋馬和之古木流泉 

歷朝名繪 冊 宋馬和之古木流泉...

江河、湖海 寒林.枯樹 鷹 國立故宮博物院 石渠寶笈初編(重華宮),下冊,頁736&*故宮書畫錄(卷六),第四冊,頁191&*Ma Ho-chih, a native of Ch'ien-t'ang.....more

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名賢妙蹟 冊 宋馬遠倚雲仙杏

名賢妙蹟 冊 宋馬遠倚雲仙杏

逞紅妍。」 &*Ma Yüan, whose style name was Ch’in-shan, came from Ho-chung, Shansi. He served.....more

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宋人畫司馬光獨樂園圖 卷

宋人畫司馬光獨樂園圖 卷

。&*In the first year of Emperor Shen-tsung's reign (1067), the Hanlin Academy scholar-official Ssu-ma Kuang.....more

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明周臣畫閒看兒童捉柳花句意 軸

明周臣畫閒看兒童捉柳花句意 軸

. Like the Che School style, it derives from the Ma Yuan and Hsia Kuei tradition.....more

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明文徵明獨樂園圖并書記 卷

明文徵明獨樂園圖并書記 卷

and calligraphy. Having a long career, he left to posterity many works. He was one of the Four Great.....more

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明人畫扇 冊 明周臣松壑聽泉

明人畫扇 冊 明周臣松壑聽泉

-ts’un) was a native of Wu (modern Soochow, Kiangsu). He took the landscape style of Ch’en Hsü.....more

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宋人漁樂圖 軸

宋人漁樂圖 軸

三冊,頁144-145&*故宮書畫圖錄,第三冊,頁97-98&*1.〈傳宋人漁樂圖(明丁玉川)〉,收入陳階晉、賴毓芝主編,《追索浙派》(臺北:國立故宮博物院,2008年初版一刷),頁183-184.....more

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明周臣松窗對奕圖 軸

明周臣松窗對奕圖 軸

, a native of Kiangsu, excelled at both landscape and figure painting. In landscapes, he based his style.....more

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明尤求書閣早梅 軸

明尤求書閣早梅 軸

, Kiangsu. He specialized in painting landscape, Buddhist subjects, and figures. Yü Ch'iu painted.....more

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明戴進撫松觀瀑 軸

明戴進撫松觀瀑 軸

to that of Tai Chin or a follower. Tai Chin’s style was based on the Southern Sung works of Ma Yü.....more

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明周臣漁?圖 卷

明周臣漁?圖 卷

-nien, Ma Yüan and Hsia Kuei. Chou’s mature brush was refined, bold and vigorous. He transmitted.....more

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清繡線佛像(五)文殊菩薩 軸

清繡線佛像(五)文殊菩薩 軸

,再以金線或色線鈎勒盤花,其他空白部分均用平線填滿。極細微處也不用筆黑描繪,因繡線富於光澤,所繡圖樣運針配色,更勝於原畫稿之運筆設色。&* In this embroidery, Mañ.....more

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集古名繪 冊 明李在圮上授書

集古名繪 冊 明李在圮上授書

;an-te era and served in the Jen-chih Hall. In landscapes, he followed the styles of Sung masters.....more

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明吳彬畫魚籃觀音 軸

明吳彬畫魚籃觀音 軸

Basket Wu Pin (fl. 1568-1627) Ming Dynasty Wu Pin was a native of Fukien who settled in Nanking. He.....more

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