搜尋:dong 在 書畫 分類當中

符合的藏品

明董其昌臨蘇軾黃庭堅帖 卷

明董其昌臨蘇軾黃庭堅帖 卷

似」,宜「觀其舉止笑語精神流露處。」(20110913)&*Dong Qichang (style name Xuanzai), a native of Songjiang in Jiangsu.....more

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明董其昌倣黃公望山水 卷

明董其昌倣黃公望山水 卷

的意趣縱橫洋溢。山體的結組也有來自〈富春山居圖〉的層疊山形,但從中變化得更加隨興靈活,已呈現董其昌中後期畫風面貌。(20110609)&*This is a copy Dong Qichang.....more

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明董其昌書栖真志 卷

明董其昌書栖真志 卷

寫來不計工拙,氣息清雅誠如董氏自評:「吾書因生得秀色。」(20110913)&*Dong Qichang (style name Xuanzai, sobriquet Huating.....more

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清沈荃臨顏真卿爭坐帖 卷

清沈荃臨顏真卿爭坐帖 卷

calligraphy, Shen’s scholarship and deeds were also pure. Shen at first studied the calligraphy of Dong.....more

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明董其昌書畫 冊 倣黃公望石徑秋嵐

明董其昌書畫 冊 倣黃公望石徑...

比強烈的濃、淡墨筆交錯,在單純筆墨的平淡拙趣中,已將古人用筆模式融入個人意趣,與其晚年風格相近。 (董其昌 書畫冊 第三開 20110609)&*Though Dong Qichang began.....more

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清董邦達四美具合幅 軸

清董邦達四美具合幅 軸

右幅。(20100714)&* Dong Bangda, native to Fuyang in Zhejiang, was good at landscapes and followed.....more

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明董其昌書千文 冊

明董其昌書千文 冊

(世南)、顏之體勢,為其小楷佳作。&* Dong Qichang (style name Xuanzai) was a native of Huating (modern Shanghai) who.....more

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清沈荃倣顏真卿告身帖 軸

清沈荃倣顏真卿告身帖 軸

at calligraphy, Shen’s style initially followed Dong Qichang’s but in later years was greatly influenced.....more

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明董其昌倣顏真卿書 軸

明董其昌倣顏真卿書 軸

)楷書精神,但更講究用筆變化以及疏朗行氣,堪稱是董其昌在顏體中追求虛和取韻的自我面貌。(20100711)&* Dong Qichang (style name Xuanzai.....more

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清張照書聯 軸

清張照書聯 軸

months later. Zhang’s calligraphy was similar to that of Dong Qichang and traces back to Mi Fu.....more

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清沈荃書伊川四箴 軸

清沈荃書伊川四箴 軸

and calligraphy. Shen at first studied the style of Dong Qichang, but in later years was greatly.....more

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清沈荃倣聖教序 軸

清沈荃倣聖教序 軸

studied the style of Dong Qichang but later strived for Mi Fu’s. At one time he was even ordered.....more

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明董其昌臨褚遂良蘭亭敘 冊

明董其昌臨褚遂良蘭亭敘 冊

局不類原帖,然用筆深得王羲之、褚遂良靈秀之意。 此作成於戊午(一六一八)年。(20110101)&* Dong Qichang, a native of Huating in Songjiang.....more

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明董其昌仿歐陽詢千文 冊

明董其昌仿歐陽詢千文 冊

藏經」朱印,界以方格,然書家不為所限,時有出格連筆之作。全作用筆精熟,頓挫使轉得宜,線條圓轉流暢,不失為草書佳作。&*Dong Qichang (style name Xuanzai.....more

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明卞文瑜摹古山水 冊 倣子久筆法

明卞文瑜摹古山水 冊 倣子久筆...

the brush method of Dong Qichang and excelled at painting intimate landscape scenes, being known along.....more

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