符合的藏品

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宋人集繪　冊　無款秋山古剎

and dots, which were then washed with cinnabar and dark green to suggest the colors of autumn. The fine.....more

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of employing ink for the texture strokes, he has adopted cinnabar and mineral green as his primary colors.....more

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of cinnabar were then added. Leaves and stems were washed in bright green and then filled with malachite.....more

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. Later when Ko Hung heared that there were great products of cinnabar in Chiao-chih (northern Vietnam.....more

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with grasses and blossoms. Though the flowers were touched with cinnabar, the rock was done only.....more

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applied, with occasional touches of heavier cinnabar red and mineral green pigments. The clothing folds.....more

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in the Afterglow, for instance, cinnabar wash is used on the low sky beyond the distant ridges.....more

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a rather special arrangement. The gorgeous blossoms of cinnabar red, the blue-and-green of the leaves.....more

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green, and ochre washes for different parts of the mountains. Set off against the cinnabar red tree.....more

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, to which slanted-brush dry texturing was added to give the forms texture. Cyanine blue and cinnabar.....more

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