搜尋:chou cheng fu 在 書畫 分類當中

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明文徵明畫蘭竹 軸

明文徵明畫蘭竹 軸

力,又迴旋自如,彷彿書家揮毫一般,全畫充滿了清逸高雅的文人氣息。雖然沒有註明年份,但從左上方畫家題字的風格來推測,應該是他七十多歲時的作品。&Wen Cheng-ming.....more

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明周天球墨蘭 卷

明周天球墨蘭 卷

became a student of Wen Cheng-ming at an early age. He also came to study calligraphy under Wen. Chou.....more

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明沈周溪橋訪友 軸

明沈周溪橋訪友 軸

置之成化庚子(一四八○),沈周五十四歲。&*1480 / Shaen Chou Crossing a Bridge to Visit Friends / Chen Fu, who lived.....more

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明文徵明草書七言詩 軸

明文徵明草書七言詩 軸

月,遊覽蘇州城郊所見。 &*Wen Cheng-ming (style name Cheng-chug, sobriquet Heng-shan chu-shih) was a native.....more

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明文徵明蕉陰仕女圖 軸

明文徵明蕉陰仕女圖 軸

of Chang-chou, Kiangsu. Originally his given name was Pi and his style-name Cheng-ming, but later.....more

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清沈荃書周元公太極圖說 軸

清沈荃書周元公太極圖說 軸

Ch’i-ch’ang’s style, but in later years was strongly influenced by Mi Fu’s. Highly respected for his.....more

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明仇英臨宋元六景 冊 竹籬壓雪

明仇英臨宋元六景 冊 竹籬壓雪

Ying (style name Shih-fu, sobriquet Shi-chou) was from T'ai-ts'ang, Kiangsu. As a youth, he moved.....more

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明仇英換茶圖文徵明書心經合璧 卷

明仇英換茶圖文徵明書心經合璧 ...

by Wen Chia, Chou Yu-shun of K’un-shan asked Wen Cheng-ming to calligraph The Heart Sutra for him and Ch.....more

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明文徵明自書詩帖 卷

明文徵明自書詩帖 卷

)及「聖教序」,結體蒼潤,宛若風舞瓊花,泉鳴竹澗。 本幅凡四十八行,共一四九字,寫燈花與焚香七絕二首,為八十一歲所作,字大如核桃,且筆畫蒼老,饒有黃庭堅餘意。 &*Wen Cheng-ming.....more

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明陳淳設色花卉 軸

明陳淳設色花卉 軸

and Fu-fu, sobriquet Pai-yang shan-jen) was a native of Ch’ang-chou, Kiangsu. Endowed with great natural.....more

10/15
明沈周墨菊 軸

明沈周墨菊 軸

禽魚悉入神品,為明四大家之一。秋菊一株,亭亭玉立,用筆極生動而極穩定,覺於嬝嬝淨妍之中,自有風霜之氣。款書亦著意,其厚重沉徹處,真所謂導之泉注,頓之山安,書畫相彰,可稱聯璧矣。&*Shen Chou.....more

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明陳栝四時花卉 冊 梅

明陳栝四時花卉 冊 梅

。&*Plums Ch’en Kua Ming Dynasty Ch’en Kua (tzu Tzu-cheng, hao T’o-chiang) was a native of Ch’ang-chou.....more

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明仇英人物圖 軸

明仇英人物圖 軸

活的情趣。此圖人物畫法與仇英平日筆不相類近,恐係後人偽託。 &*Children/ Ch’iu Ying, style name Shih-fu, was a native of T’ai-ts.....more

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明人書畫扇(卯) 冊 明陳淳玉蕊衝寒

明人書畫扇(卯) 冊 明陳淳玉...

。 &* Ch’en Ch’un (style name Tao-fu; sobriquet Pai-yang shan-jen) was a native of Ch’ang-chou, Kiangsu. He.....more

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明仇英桐陰晝靜圖 軸

明仇英桐陰晝靜圖 軸

(style name) was Shih-fu and his hao (sobriquet) was Shih-chou. He was instructed by Chou Ch’en.....more

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