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名繪輯珍　冊　宋馬遠澄江秋眺

。巨石間，有「馬遠」款，惟畫風與習見之馬遠老辣蒼勁風韻微有差異，或為後人追法之作。本幅為「名繪集珍」冊第三開。 &* Ma Yüan, style name Chin-shan.....more

1/19

歷代集繪　冊　無款桃花　

，於尺幅大小、筆墨設色、題識印記諸端，俱與本幅相仿，而倚雲仙杏繫有「臣馬遠畫」四字款。基於上述比較，當能推知，宋人桃花亦屬馬遠所繪。 Ma Yüan, style name Chin.....more

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宋馬麟靜聽松風圖　軸

. He was the son of the famous court painter Ma Yüan and excelled.....more

3/19

宋人法書（一）　冊　宋司馬光書...

學家。元豐二年（1079）司馬光官西京御史臺，閒居在洛陽，友人陳師道以祖父陳洎五十年前所書詩稿相示，書此跋。書法瘦勁方正，似其忠直端謹的個性。本幅選自「宋人法書冊一」第六幅。&*Ssu-ma.....more

4/19

明周臣松泉詩思　軸

-1496). He based his style on the Sung Dynasty masters: Li T’ang, Liu Sung-nien, Ma Yüan, and Hsia.....more

5/19

明戴進撫松觀瀑　軸

to that of Tai Chin or a follower. Tai Chin’s style was based on the Southern Sung works of Ma Yü.....more

6/19

明戴進牧牛圖　軸

風傾偃，益覺沁涼滿紙；牧童手持喜鶴反向而坐，與右行之水牛適成一均衡態勢，凡此俱見畫家營構之巧思。&* Tai Chin developed his landscape painting.....more

7/19

宋人畫魚籃觀音　軸

chuan, in A.D.817 there was a beautiful young woman who sold fish from a basket living in Chin-sha-t.....more

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清金廷標臨馬遠商山四皓　卷

棋，閒適自在。全畫以水墨繪成，側筆刷染山石皴痕，是從斧劈皴變化而來，斜向伸出的枝葉也有「拖枝」技法的趣味，追仿南宋院畫家馬遠的風格，墨色變化也很豐富。 &* Chin T'ing-piao.....more

9/19

明戴進畫紈牛　軸

，貌類胡戎。其身穿華服，腰配彎刀，帛魚與海螺，左手執鞭，右手握糜以控牛，精神專注。紈牛淺毛驪色，羊角犬面，不似稚犢，反類靈獸。背後巨樹垂藤，遠處煙靄，景色恬靜。 &* Tai Chin.....more

10/19

明戴進山水圖　軸

reflects a style derived from that of the Southern Sung (1127-1279) masters Ma Yüan and Hsia Kuei.....more

11/19

明周臣甯戚飯牛圖　軸

and Ch'iu Ying, and even the early ones of Tu Chin, an exceptionally decisive brushwork appears. Thus.....more

12/19

明戴進春遊晚歸　軸

outing. Although Tai Chin based the style here on those of Ma Yüan and Hsia Kuei in the Southern.....more

13/19

明馬軾春塢村居圖　軸

沈穩，從郭熙筆法而來的靈動山皴線條，為此剛硬山景憑添柔和氣氛。&*Ma Shih, a native of Kiangsu province, served in the Imperial.....more

14/19

明戴進春酣圖　軸

Chin was a native of Ch'ien-t'ang (modern Hangchow) who once served as a court painte.....more

15/19

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