搜尋：chien hao 在書畫分類當中

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宋四家墨寶　冊　宋蘇軾書次韻秦...

“Orchid Pavilion Preface” as a youth, his elegant style similar to Xu Hao’s. In middle years Su.....more

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是長壽之仙獸，且「鹿」「祿」「柏」「百」諧音，故題名「百祿」，以取富貴爵祿之意。 &* Chang Hung, tzu (style name) Chün-tu, hao.....more

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Ta-shen, tzu (style name) Chen-chih and hao (sobriquet) Chien-shan, was a native of Hua-t’ing.....more

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，又能書法繪畫，畫山水師學近人黃堅，能够自闢一途，狀物寫景甚為重視明暗向背的表現，畫境頗有實境之感。&* Yung Jung (hao Chiu-ssu chu-jen) was the sixth.....more

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皴紋，有的如范寬之「雨點皴」，有的如「斧劈皴」，再加上枯墨的皴擦，更具有方硬厚重之意。 &* Wang Hui, tzu (style name) Shih-ku, hao(sobriquet.....more

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影響，部分山石、畫樹亦黄家筆意。大部份畫山石之法，則透過吳鎮而力追巨然，筆筆沉雄練達，真所謂於董巨有深詣者。 &* Wang Chien was a native of T’ai-ts’ang.....more

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Tung Pang-ta (tzu Fu-ts’un, hao Tung-shan) was a native of Fu-yang in Chekiang. He received the chin.....more

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to the capital. Later, he refused a call to service by Prince Ning (Chu Ch’en-hao), who revolted in 1519.....more

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、王原祁祖孫的影響。不過，他用筆純是中鋒，線條粗重繁密，加上結構森嚴，特別能够表現山領的渾厚峻拔的氣勢。&* Hung Wu (tzu Shu-chai, Tsui-yü; hao I-ju.....more

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in the Manner of Ni Tsan Tung Pang-ta Ch’ing dynasty Tung Pang-ta (tzu Fu-ts’an, hao Tung-shan.....more

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屋宇，是石谷本色。澗水緣坡而下，中多碎石，奔湍轉壑，髣髴有聲，是此中勝處。康熙甲戍（西元一六九四年），作者六十三歲。 &* Wang Hui (tzu Shih-ku, hao Keng-yen.....more

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於肥厚之內，猶有唐代顏真卿、徐浩之風。可知趙孟頫所謂「西台書去唐未遠，猶有唐人餘風」之言不虛。本幅選自「宋十二名家法書」冊第一幅。&*Li Chien-chung (style name Te.....more

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. His tzu (style name) was Shih-ku, his hao(sobriquets) Keng-yen-san-jen, Ch’ing-hui-chu-jen, Wu-mu-shan.....more

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