符合的藏品

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清吳歷倣吳鎮山水　軸

重，墨井其或有意出之淺淡歟。&* Wu Li (style name; Yü-shan, and sobriquet; Mo-ching tao-jen [Taoist of the Ink.....more

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於肥厚之內，猶有唐代顏真卿、徐浩之風。可知趙孟頫所謂「西台書去唐未遠，猶有唐人餘風」之言不虛。本幅選自「宋十二名家法書」冊第一幅。&*Li Chien-chung (style name Te.....more

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(1470-1559)was a native of Ch’ang-chou, Kiangsu. He studied calligraphy with Li Ying-chen (1431-1493.....more

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studied Yan Zhenqing and Li Yong’s calligraphy. In an overview of Su’s style, his characters are steady.....more

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the late Wan-li, T’ien-ch’i and Ch’ung-chen reigns (ca. 1610-1644) he lived in Suchou and associated.....more

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人無異，此乃因明以後，佛像畫已脫離宗教而入於純粹藝術欣賞範圍，畫家多屬兼習，偶或圖寫，率無稿本藉供臨摹。 &*Worshipping the Buddha Wen Ts’ung-chien (1574.....more

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as Wang Hsi-chih (303?-361?), Yen Chen-ch'ing (709-785), Li Yung (678-747), Yang Ning-shih (873-957.....more

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His-chih（307-365）and Wang Hsien-chih（344-388）,Yen Chen-ch'ing（709-785）, Li Yung（678-747）, and Yang.....more

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came from Hunan, he also went by the sobriquet Heng-shan chu-shih. He learned calligraphy from Li Ying.....more

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met. Shen did this painting to send to Chen Fu via a friend, Li Fu, who was going to Nanking. A broad.....more

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之。先題後畫，相距十二載。徵明此書，大將五寸，頗學黃庭堅而筆意微弱，徵明大書過五寸時不免此弊也。&* Hsieh Shih-chen (style name Ssu-chung, sobriquet.....more

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, Mi Fu, and Huang T'ing-chien, in the garden of Wang Shen, an imperial relative. The major figures.....more

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