符合的藏品

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清華嵒花鳥　軸

, went by the style name Ch’iu-yüeh and the sobriquet Hsin0lo shan-len. He early resided.....more

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。 &* Ch’en Ch’un (style name Tao-fu; sobriquet Pai-yang shan-jen) was a native of Ch’ang-chou, Kiangsu. He.....more

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失散，乾隆間又陸續轉入青宮，高宗喜此四卷之聚，因作贊並命董邦達繪圖以誌其事。 &* Tung Pang-ta (tzu: Fu-ts’un; hao: Tung-shan), was born.....more

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; sobriquets T’ien-Ch’ih and Ch’ing-t’eng lao-jen) was a native of Shan-yin. All of his depictions.....more

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styles, later studying those of Chang Hsu, Huai-su, Yen Chen-ch'ing, and Yang Ning-shih. He.....more

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known under his sobriquet Pa-ta shan-jen, Chu Ta was a scion of the Ming imperial house, but became.....more

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色彩:墨色技法:行書主題意涵:詞表現題材:書法版權:中國文化大學華岡博物館畫心尺寸:37�205cm 基底材:紙型式:靜態圖像本名:陳定山譯名:Chen Ding-shan 數位化執.....more

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料：雄獅台灣美術年鑑編輯委員會編著，1989，《台灣美術年鑑》，雄獅出版，P490 | 收藏著錄畫心尺寸：132×29.6㎝中曆：當代類別：水墨/水墨本名：陳定山譯名：Chen Ding.....more

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ün-sheng, and Heng-shan-chü-shih. As he excelled in poetry, belles.....more

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