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元高克恭畫春山晴雨 軸

元高克恭畫春山晴雨 軸

,學米氏父子,造詣精絕。 高房山畫,盛名蓋世,而流傳不多。此幅畫溪邊小景,雲影滿山,用筆極為含蓄,用墨亦溫婉蘊藉,極寧靜有味。無款,見李息齋題。&*Kao K'o-kung, of Uighur.....more

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元高克恭畫春山晴雨 軸

元高克恭畫春山晴雨 軸

,學米氏父子,造詣精絕。 高房山畫,盛名蓋世,而流傳不多。此幅畫溪邊小景,雲影滿山,用筆極為含蓄,用墨亦溫婉蘊藉,極寧靜有味。無款,見李息齋題。&*Kao K'o-kung, of Uighur.....more

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民國余紹宋畫墨竹 軸

民國余紹宋畫墨竹 軸

üeh-yüan and Han-K’o) was a native of Lung-yü, Chekiang. Seven generations of his.....more

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宋馬麟靜聽松風圖 軸

宋馬麟靜聽松風圖 軸

intently to the wind. &  馬麟(西元一一八O—一二五六年),出身繪畫世家,山水、花鳥、人物都擅長,成就不在其父馬遠之下。   深山流水間.....more

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明文從簡禮佛圖 軸

明文從簡禮佛圖 軸

-k’o and his sobriquet was Chen-yen lao-jen. Sometime between 1628-1643, he received his kung-she.....more

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明陸治梨花寫生 軸

明陸治梨花寫生 軸

、張華芝編,《明陸治作品展覽圖錄》(臺北:國立故宮博物院,1992年初版),頁78。 &*吳派畫家中,陸治種植花木的經驗相當豐富,依據好友王世貞(一五二六-一五九O)記載,陸治熱愛園藝,尤其喜歡種植菊.....more

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明陸治端陽佳景 軸

明陸治端陽佳景 軸

不俗,筆墨構圖和陳淳(一四八三-一五四四)近似,卻沒有陳淳放恣的氣息。其中自然優雅的韻味,正是沈周(一四二七-一五O九)、文徵明(一四七O-一五五九)以來吳派畫家共同追求的格調.....more

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明沈周秋林讀書 軸

明沈周秋林讀書 軸

was staying at the Shuang-o Monastery. This monastery was probably part of the Ch’eng-t’ien-nung-jen.....more

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元俞和臨定武褉帖 冊

元俞和臨定武褉帖 冊

them. Yu's calligraphy was considered as famous as that of his contemporary, Sung K'o. Sung Yuen.....more

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元趙雍畫小春熙景 軸

元趙雍畫小春熙景 軸

to later than Wu Wei and Wang O of the Ming dynasty. Chan Yung, a native of Chekiang province.....more

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明沈士充畫郊園十二景 冊 晴綺樓

明沈士充畫郊園十二景 冊 晴綺...

of suburban gardens done for Wang Yen-K’o. This garden is filled with willow trees with banana plants.....more

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元明人題錢譜雜文 冊 倪中書長歌 

元明人題錢譜雜文 冊 倪中書長...

simplicity, and his style is very much removed from that of Sung K’o. Ni Chung’s calligraphy reveals.....more

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明宋克書公讌詩 軸

明宋克書公讌詩 軸

,古雅雋秀。&*Sung K'o, a native of Soochow, had a reputation for being unbridled as a youth. When.....more

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宋蘇軾書歸去來辭 卷

宋蘇軾書歸去來辭 卷

; sobriquet Tung-p'o chü-shih)was a native of Mei-shan, Szechwan. He was given the posthumous.....more

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明藍瑛畫山水 軸

明藍瑛畫山水 軸

and his sobriquets included Chieh-sou, Hsi-hu wai-shih, and Shih-t’ou-t’o. In his early years, he.....more

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