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明董其昌書斯干之什 軸

明董其昌書斯干之什 軸

-七八二年)書風,結字端凝,布字行間略呈傾側,筆墨醇厚,勁力內蘊,皆自徐出,然清逸秀整之氣韻,則有過之。&*Tung Ch'i-ch'ang (style name was Hsü.....more

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宋高宗書女孝經馬和之補圖上卷 卷

宋高宗書女孝經馬和之補圖上卷 ...

近於理示,故宜易名為「宋人書畫女孝經」。 Ma Ho-chih, a native of Ch'ien-t'ang(modern Hangchow), served as Vice Minister.....more

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明沈周化鬚疏 卷

明沈周化鬚疏 卷

國立故宮博物院 故宮書畫錄(卷一),第一冊,頁98。&*石渠寶笈初編(御書房),下冊,頁936。&*沈周(西元一四二七-一五0九年),長洲(江蘇蘇州)人。字啟南,號石田,自稱白石翁。為人寬厚有大度.....more

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元唐棣倣郭熙秋山行旅 軸

元唐棣倣郭熙秋山行旅 軸

。 (20110913)&*Tang Di (style name Zihua), a native of Wuxing (modern Huzhou, Zhejiang), excelled.....more

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明王寵千字文 卷

明王寵千字文 卷

üji; sobriquet Yayi shanren) was a native of Changzhou (modern Suzhou). His calligraphy style.....more

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明陳淳五鹿圖 軸

明陳淳五鹿圖 軸

為精。 &* Ch'en Shun (style names Tao-fu, Fu-fu; sobriquet Pai-yang shan-jen) was a native of Ch'ang.....more

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清沈荃書周元公太極圖說 軸

清沈荃書周元公太極圖說 軸

為沈氏五十四歲之作。 &*Shen Ch’üan (native to Hua-t’ing, Kiangsu [modern Shanghai]) was a Presented.....more

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清劉九德畫狻猊 軸

清劉九德畫狻猊 軸

景則放筆寫之,得疎逸工謹相融之趣。 &* Liu Chiu-te, style name Yang-sheng, was a native of Shun-t’ien (modern Peip’ing.....more

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清劉九德畫狻猊 軸

清劉九德畫狻猊 軸

放筆寫之,得疎逸工謹相融之趣。 &* Liu Chiu-te, style name Yang-sheng, was a native of Shun-t’ien (modern Peip’ing.....more

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民國溥儒玉堂富貴 軸

民國溥儒玉堂富貴 軸

生捐贈於民國七十年。 (20120106)&* Pu Hsin-yu (named Ru but going by his style name; sobriquet Xishan yishi.....more

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五代南唐巨然層巖叢樹圖 軸

五代南唐巨然層巖叢樹圖 軸

of Chiang-ning (modern Nanking), was a monk at the K'ai-yüan Temple who painted Kiangnan.....more

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宋崔白蘆汀宿雁 軸

宋崔白蘆汀宿雁 軸

。&*Ts’ui Po, (style name Tzu-hsi) was a native of Hao-liang ( modern Feng-yang, Anhwei). He entered.....more

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清王敬銘爐峰山萬疊圖 卷

清王敬銘爐峰山萬疊圖 卷

散佈村落人家。用披麻皴法,筆法純熟,構圖起伏有致,傳承王原祁之畫風。 &* Wang Ching-ming, style name Tan-ssu, was a native of Chia-ting.....more

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清張照書千字文 冊

清張照書千字文 冊

勢翻飛,氣勢連貫,狂放處頗得懷素草法之意趣。&* Zhang Zhao (style name Detian; sobriquets Jingnan, Wucong, and Tianping.....more

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清潘是稷墨妙珠林 (亥) 冊

清潘是稷墨妙珠林 (亥) 冊

on brush and ink, deliberating between modern and ancient for his own style. Recommended by Zhang.....more

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