搜尋:Early Style 在 書畫 分類當中

符合的藏品

明呂紀桃柳雙鳧圖 軸

明呂紀桃柳雙鳧圖 軸

. 1477-1497) Ming Dynasty Lü Chi, style name T’ing-chen,sobriquet Yao-yü, was a native of Yin.....more

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明呂紀畫鴛鴦 軸

明呂紀畫鴛鴦 軸

. 1477-1497) Ming Dynasty Lü Chi, style name T’ing-chen sobriquet Yao-yü, was a native.....more

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明藍瑛溪山雪霽 軸

明藍瑛溪山雪霽 軸

歲,正當盛年,故筆墨精整,設色明麗,而習氣未深,是藍氏傳世之佳作。 &*Lan Ying (style name T’ien-shu and sobriquets Tieh-sou and Shih.....more

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明呂紀春風燕喜圖 軸

明呂紀春風燕喜圖 軸

下,萱花盛開;一雙飛燕臨空掠過,岸上則止息瀆鳧一對。其中柳樹幹之皴法,以及萱花、柳葉與雙鳧之鉤畫用筆,甚得呂紀之筆意,若自神韻觀之,則仍顯得略遜一籌。 &* Lü Chi, style.....more

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元俞和書陶潛詩(一) 冊

元俞和書陶潛詩(一) 冊

Chin and T'ang calligraphic models. In his early years, he had the chance to see the famed Chao Meng.....more

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清郎世寧畫錦春圖 軸

清郎世寧畫錦春圖 軸

, Castiglione entered the Jesuit order in Italy as a novitiate, and his early training included.....more

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宋人千巖萬壑 軸

宋人千巖萬壑 軸

. Based on style, the painting appears to date from the late Yüan or early Ming (late 14th c.....more

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明陳祼洗硯圖 軸

明陳祼洗硯圖 軸

自適,有嫗解集。  此幅應陸子垂作洗硯詩意,筆墨酣暢,樹石造型多作斜長形,為吳派晚期特色之一。 &*Washing the Inkstone Ch’en Kuan (active early 17th.....more

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元人翰墨 冊 陶宗儀書詩經五章

元人翰墨 冊 陶宗儀書詩經五章

)&*Tao Zongyi (style name Jiucheng, sobriquet Nancun), who lived in the Songjiang area in the late Yuan.....more

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清惲壽平寫生花卉 冊 繡球花

清惲壽平寫生花卉 冊 繡球花

, with Shouping being his style name, by which he was later known. In poetry, he was leader of the Six Gentlemen.....more

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清王原祁倣米芾雲山 軸

清王原祁倣米芾雲山 軸

。 &* Wang Yűan-ch’i (style-name Mao-ching; sobriquet Lu-t’ai) was a native of T’ai-ts’ang, Kiangsu.....more

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清王鑑倣趙孟頫山水 軸

清王鑑倣趙孟頫山水 軸

。 &*Wang Chien (style name, Yüan-chao; sobriquet, Hsiang-pi) called himself Jan-hsiang an-chu.....more

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清王翬畫石磴林泉 軸

清王翬畫石磴林泉 軸

皴紋,有的如范寬之「雨點皴」,有的如「斧劈皴」,再加上枯墨的皴擦,更具有方硬厚重之意。 &* Wang Hui, tzu (style name) Shih-ku, hao(sobriquet.....more

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清吳歷梅花山館 軸

清吳歷梅花山館 軸

to the Jesuit missionaries centre in Kiangsu and he early came under their influence. In 1681 he went.....more

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宋賢書翰 冊 宋蔡襄致彥猷尺牘

宋賢書翰 冊 宋蔡襄致彥猷尺牘

-chien, or Mi Fu. His standard script sums up the early Sung reverence for Yen Chen-ch'ing.....more

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