搜尋:C?A? 在 書畫 分類當中

符合的藏品

元俞和臨王帖 軸

元俞和臨王帖 軸

. As a young man he actually had occasions to watch Chao Meng-fu (1254-1322) do calligraphy, and Yü.....more

166/422
元陳琳溪鳧圖 軸

元陳琳溪鳧圖 軸

style was greatly influenced by that of the famous Yüan dynasty artist, Chao Meng-fu (1254-1322.....more

167/422
元趙雍駿馬圖 軸

元趙雍駿馬圖 軸

表現近圖案方式,饒古拙之趣,頗有唐人遺意。?中山水份量極重,構景空濶而幽遠。&Chao Yung, tzu Chung-mu, the second son of Chao.....more

168/422
元顧安平安磐石 軸

元顧安平安磐石 軸

studied Chao Meng-fu's (1254-1322) writing styles. His ink bamboo painting were executed.....more

169/422
元趙雍採菱圖 軸

元趙雍採菱圖 軸

尤為雅秀。樹木筆意,脫胎於李成郭熙一路。溪上菱舟,往來飄攸火,菱葉滿溪,密不容隙。而上幅留天幾及全圖之半,特有江天空曠之感。成於至正二年(西元一三四二年)十月,時年五十四歲。&*Chao Yung.....more

170/422
元趙雍春郊遊騎圖 軸

元趙雍春郊遊騎圖 軸

求著高古簡逸的趣味。&Chao Yung (style name Chung-mu) was a native of Wu-hsing.....more

171/422
元顧安竹石 軸

元顧安竹石 軸

in painting bamboo in monochrome ink and studied the works of Chao Meng-fu (1254-1322) of the Yü.....more

172/422
元趙麟相馬圖 軸

元趙麟相馬圖 軸

首嚙草。其人端詳視其骨相以度駿駑。人物衣褶、馬之鬃鬣,皆細勁有力。樹稍遜,款書極得家法。&*Chao Lin, the son of Chao Yung and grandson of Chao.....more

173/422
元唐棣倣郭熙秋山行旅 軸

元唐棣倣郭熙秋山行旅 軸

slopes were done in curled-cloud texture strokes, and tree branches in the crab-claw manner.....more

174/422
元唐棣霜浦歸漁圖 軸

元唐棣霜浦歸漁圖 軸

a frosty bank. The crab-claw branches of the trees and cloud-head texturing of the slope.....more

175/422
元顧安畫墨竹 軸

元顧安畫墨竹 軸

excelled in painting ink bamboo and studied Chao Meng-fu (1254-1322) of the Yüan dynasty.....more

176/422
元馬琬喬岫幽居 軸

元馬琬喬岫幽居 軸

cliffs amid myriad snow-clad peaks. At the base, of the mountains are fragments of rocks-multi-faceted.....more

177/422
元趙原溪亭秋色 軸

元趙原溪亭秋色 軸

年間,應召畫功臣像,因觸犯皇帝而被殺。 水墨畫樹石水亭,遠近雜樹疏林相襯。本幅構圖簡練,畫筆甚禿,多以側筆皴畫山石紋路,渲染甚少,率意天成,呈現一種質樸清雅意趣。&*Chao Yü.....more

178/422
元王蒙谷口春耕圖 軸

元王蒙谷口春耕圖 軸

and the grandson of Chao Meng-fu. He was one of the Four Great Yüan Masters. Depicted here is a field.....more

179/422
元人春山圖 軸

元人春山圖 軸

and solid. The brushwork here, especially that for the "crab-claw" branches, is modeled after the manner.....more

180/422

C?A? 在 書畫 分類當中 的相關搜尋