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宋人法書(四) 冊 洪咨夔致舟公堂頭禪師尺牘

宋人法書(四) 冊 洪咨夔致舟...

Master Fazhou, who expressed gratitude by having it and Su Shi’s verse on “Trip to Daochangshan.....more

331/1397
宋人法書(四) 冊 楊萬里呈達孝宮使判府中大劄子

宋人法書(四) 冊 楊萬里呈達...

reflecting Yang Wanli’s personal manner. Although Yang did not achieve recognition in calligraphy, we know.....more

332/1397
宋人法書(四) 冊 張即之上問尊堂太安人尺牘

宋人法書(四) 冊 張即之上問...

of calligraphy is a letter inquiring of a higher official's mother. The style of this work is exhilarating.....more

333/1397
宋郭熙秋山行旅圖 軸

宋郭熙秋山行旅圖 軸

of those in Guo Xi’s renowned “Early Spring,” the majestic and imposingly monumental manner of “Early.....more

334/1397
宋林逋手札二帖 冊 逋奉簡三君

宋林逋手札二帖 冊 逋奉簡三君

of Li Chien-chung(945-1013). All later critics of Lin's calligraphic style applaud the clarity.....more

335/1397
清龔賢春山如沐圖 軸

清龔賢春山如沐圖 軸

of Dong Yuan’s style, transforming ancient methods with a heavy use of ink to create a style of his.....more

336/1397
元管道昇竹石 軸

元管道昇竹石 軸

known as one of China's greatest female artists. This work does not bear Kuan's signature, but it does.....more

337/1397
元陳立善墨梅 軸

元陳立善墨梅 軸

. However, compared with Wang Mien, Wang's works appear more elegant and refined. In Ch'en's paintings.....more

338/1397
元人說經圖 軸

元人說經圖 軸

dynasty, is composed of three scrolls. In the middle scroll Šàkyamuni preaches the Buddhist s.....more

339/1397
元人說經圖 軸

元人說經圖 軸

àkyamuni preaches the Buddhist sûtra. On the left and right scrolls are eitht.....more

340/1397
元倪瓚筠石古槎圖 軸

元倪瓚筠石古槎圖 軸

and his sobriquets Yün-lin and Yü-weng. His family's wealth allowed him to collect many.....more

341/1397
元吳鎮洞庭漁隱 軸

元吳鎮洞庭漁隱 軸

landscape as a fisherman's skiff floats on the water. This work reveals the rolling watery hills.....more

342/1397
元倪瓚楓落吳江圖 軸

元倪瓚楓落吳江圖 軸

鋒轉側,皴多染少,故皴筆特覺清勁。&*Ni Tsan's subject matter is very simple, but the brushwork is superb.....more

343/1397
宋燕文貴三仙授簡 軸

宋燕文貴三仙授簡 軸

, wearing a scholar's robe but no cap, holds a scroll of blank paper. The painting is not signed.....more

344/1397
元張中寫生花鳥 軸

元張中寫生花鳥 軸

is filled with graceful coloration, the painting doesn't fit into Chang's style. We may presume that a later.....more

345/1397

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