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明劉度仿趙承旨長春翠柏　軸

of the styles of Li Chao-tao (ca. 713-741) and Chao Po-chü (1120-1182) to give his refined and detailed.....more

1/5

; in landscape, he studied the manner of Chao Lin-jang and Chao Po-chu;and in bird-and-flower painting.....more

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板雕成曲線紋，四角支柱豎直部份變成條板狀架於托泥上。床榻上另有一直方憑几，按古無桌椅，備几以為憑倚之用。此圖據丘文播稿本描摹，實際創作年代尚無定論。 &*Ch'iu Wen-po excelled.....more

3/5

。翠竹、水草隨風搖曳，水波亦起伏盪漾。白鷺則逆向涉水，低姿迎風，形成均衡畫幅之力量，益饒動態之趣。 &* Ts'ui Po, tzu Tzu-hsi, was a native of Hao-ling.....more

4/5

, Wen focused on a central point to create a clever illustration of Po Chu-i's (772-846) masterpiece.....more

5/5