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符合的藏品
共找到 103 筆符合的資料
宋劉松年十八學士圖 卷
and landscape painting, his fame surpassed that of his teacher, Chang Tun-li. Though unsigned.....more
- 62/103
宋李公麟人物真蹟 卷
of technique, the scroll is executed in the “uncolored outline” ( pai-miao ) method, a method in which.....more
- 64/103
明董其昌紀遊畫冊 冊 重巒疊翠
璧:黃公望與富春山居圖特展》(臺北:國立故宮博物院,2011年五月初版一刷),頁336-337。&*The right painting of the second folio (“Layer.....more
- 65/103
明董其昌紀遊畫冊 冊 鹿鳴山
的運用卻已顯得簡樸,與吳派風格相異。(董其昌紀遊畫冊 第十一開左幅 20110609)&*The left painting of the eleventh folio in the album.....more
- 66/103
宋沈子蕃緙絲花鳥 軸
nature. The tapestry technique here is exquisite, the buds and blossoms full and realistic.....more
- 67/103
元朱德潤雨山喧瀑 軸
of the painting. The use of the brush is firm and strong, and the application of ink and technique.....more
- 69/103
明沈周寫生 冊 白鴿
technique eventually surpassed that of his teachers. After the age of forty, he adopted a freer notion.....more
- 70/103
藝苑藏真(下) 冊 宋魯宗貴蜀...
segment” flower painting (with only part of the plant shown). The technique is delicate and refined here.....more
- 71/103
清王原祁倣倪黃山水 軸
as one of the Four Masters of the Ch’ing. Completed at the age of 67, this painting is composed.....more
- 72/103
清徐呈祥星額駿圖 軸
portraiture shows the special chiaroscuro technique, a combination of Chinese and western traditions.....more
- 73/103
鏤繪集錦 冊 八哥桃花
reflects much of the bird-and-flower genre of painting in the Sung dynasty. Though the tail feathers.....more
- 74/103