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符合的藏品
共找到 18 筆符合的資料
明李宗謨蘭亭修褉圖 卷
代晚期，所受明中期著名畫家影響，是理所當然。 &*Wang Hsi-chih at the Orchid Pavilion Li Tsung-mo (fl. 16th -17th c.) Ming.....more
- 1/18
宋李公麟人物真蹟 卷
of technique, the scroll is executed in the “uncolored outline” ( pai-miao ) method, a method in which.....more
- 2/18
明宋旭雲巒秋瀑圖 軸
figure subjects. In the Wan-li period (1573-1620) he achieved nation wide fame and his wall.....more
- 5/18
明丁雲鵬十八應真像 軸
drawing style (pai-miao) of Li Kung-lin (1049-1106) from the Sung dynasty. He is considered a late.....more
- 6/18
明董其昌霜林秋思 軸
sobriquet Ssu-pai. Receiving his chin-shih civil service degree during the Wan-li period (1573-1619.....more
- 8/18
明董其昌臨鍾王帖 冊
。&*Tung Ch'i-ch'ang (style name Hsüan-tsai and sobriquet Ssu-pai) was a native of Hua-t'ing.....more
- 9/18
明人畫扇集冊 冊 明丁雲鵬應真...
at painting Buddhist and Taoist figures, acquiring the methods of Wu Tao-tzu (fl. 710-760) and the pai.....more
- 10/18
宋李公麟畫歸去來辭 卷
, and the figures in outline manner (pai-miao) are fluid. This work bears neither seal nor signature.....more
- 11/18
元趙孟頫古木散馬圖 卷
. Gifted at depicting horses, he studied the styles of Han Kan (ca. 715-after 781) and Li Kung-lin (1049.....more
- 13/18
明吳彬畫十八應真 卷
during the Wan-li era (1573-1620). He was good at painting Buddhist figures, the forms of which.....more
- 15/18