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元人節書曲禮四語　軸

commentary to the work notes that "The Ch'u Li is a detailed discussion of ceremonial affairs." The work.....more

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。&* Shen Ch’üan’s birth and death dates are unknown, but a late Ch’ing record in Notes from the T’ao.....more

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in Notes from the T’ao-yang Studio mentions a “Shen Ch’üan” from Kiangsu who went by the style n.....more

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of notes on the history and theory of painting entitled Hua Shuo has been attributed to him. Four clu.....more

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on Painting), and Miscellaneous Notes from the Hua-ch’an Studio. Tung Ch’i-ch’ang had.....more

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explaining the Classics over the ages, it also includes his notes and represents his attainment.....more

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Wang Yűan-ch’i’s late works. In his inscription on this painting, Wang Yűan-ch’i notes.....more

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pervades Wang Yűan-ch’i’s late works. In his inscription on this painting, Wang Yűan-ch’i notes.....more

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. According to notes in gazetteers, Mounts Lo and Fu join together and thus go by the name Lo-fu. Since.....more

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Phenomena” chapter of the Huai-nan-tzu, an ancient text, notes that “Blue Lady appears in the third month.....more

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and landscape style of the Yüan artist Wang Chen-p'eng. According to Miscellaneous Notes on the Western.....more

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dynasty), with the delicate and tensile places especially wonderful." These two notes were written.....more

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. 1261). Ch'iu notes that this work was painted in 1301 when Ch’en Lin was visiting Chao Meng-fu. He.....more

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of this work comprises ten figures in five segments accompanied by explanatory notes and titles.....more

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