搜尋:mi mi 在 水墨 分類當中

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宋人法書(三) 冊 宋張九成書尺牘

宋人法書(三) 冊 宋張九成書...

, is flowing and driving with the force of Mi Fu’s style, giving it considerable character.(20101015)&*1.陳階晉,〈書.....more

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宋元寶翰 冊 宋張孝祥書尺牘

宋元寶翰 冊 宋張孝祥書尺牘

with the free and easy nature of Mi Fu’s style. Along with Fan Chengda (Shihu), they were known as the “Two Hu.....more

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宋賢書翰 冊 宋揚旡咎尺牘

宋賢書翰 冊 宋揚旡咎尺牘

rich and thick yet flowing with ease, also following in the flair of Mi Fu.(20101015)&*1.侯怡利,〈尺牘〉,收入何傳馨.....more

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集古圖繪 冊 元黃公望磻溪漁隱

集古圖繪 冊 元黃公望磻溪漁隱

to Shen Zhou’s “Landscape,” also on display here, only more simplified in places and with Mi dots.....more

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宋賢書翰 冊 宋蔡襄致彥猷尺牘

宋賢書翰 冊 宋蔡襄致彥猷尺牘

-chien, or Mi Fu. His standard script sums up the early Sung reverence for Yen Chen-ch'ing.....more

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明董其昌書春日行 軸

明董其昌書春日行 軸

, and Tung was known together with Hsing T'ung, Mi Wan-chung and Chang Jui-t'u as the greatest.....more

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清董邦達仙廬澄霽 軸

清董邦達仙廬澄霽 軸

’ü Pao Chi, the Mi Tien Chu Lin, and the His Ch’ing ku chien, among other collated works.....more

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清董邦達畫谿山深雪圖 軸

清董邦達畫谿山深雪圖 軸

an assisted in editing the catalogue of the Ch’ien-lung Emperor, Shih-ch’ü pao-chi mi-tien chu-lin.....more

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清董邦達仿倪瓚?林含秀 軸

清董邦達仿倪瓚?林含秀 軸

’ü pao-chi, the Mi-tien chu-lin, and the His-ch’ing ku-chien. He was very fond of calligraphy.....more

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明文徵明自書詩帖 卷

明文徵明自書詩帖 卷

derives its force from the styles of Su Shih (1036-1101), Huang T’ing-chien, Mi Fu (1052-1107.....more

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明人書畫扇(卯) 冊 明陳淳玉蕊衝寒

明人書畫扇(卯) 冊 明陳淳玉...

changed and he depicted flowers in the “sketching ideas” manner and landscapes in the styles of Mi Fu.....more

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宋四家真蹟 冊 宋黃庭堅致景道十七使君尺牘並和王仲至少監詠姚花詩四首

宋四家真蹟 冊 宋黃庭堅致景道...

, with Su Shih, Mi Fu, and Ts'ai Hsiang, was one of the Four Great Northern Sung Masters of calligraphy.....more

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元趙孟頫書蘇軾西湖詩 卷

元趙孟頫書蘇軾西湖詩 卷

with those of Su Shih (1036-1101) and Mi Fu (1051-1107) for an elegant style. This scroll transcribes Su.....more

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唐褚遂良摹王羲之長風帖 卷

唐褚遂良摹王羲之長風帖 卷

, the work throughout bears the structure and manner in Mi Fu’s (1052-1107) calligraphy, the brush.....more

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宋人法書(三) 冊 宋范成大書尺牘

宋人法書(三) 冊 宋范成大書...

the styles of Huang T'ing-chien(1045-1105) and Mi Fu (1052-1107), but was more unrestrained.....more

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