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韞真集慶　冊　宋人桑枝黃鳥

技法的產生，均依描繪對象的實際形態而來，十分符合北宋徽宗宣和（西元一一００─一一二五年）時期所提倡的「寫生」觀念，幅中並鈐有「宣和」一印，故可能即其一時期之作品。&*A golden Chinese.....more

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to the same family. The ancient Chinese furthermore often made no differentiation between the two.....more

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the mountain forms, to which dark ink and washes were added to make them more powerful and hoary that gives.....more

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: The Flowering Plum in Chinese Art”(New Haven: Yale University Art Gallery, 1985), pp. 94-97.&*　　陸復，生.....more

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” in Chinese. Wu School painters often retraced the footsteps of the ancients by climbing.....more

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bird-and-flower subjects being most outstanding. With his mature and succinct brush and ink, he.....more

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beautiful ladies attended him with brush and ink stone. Before each scene describing the pleasures.....more

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, the lake rock also done using washes of light and dark ink to suggest contraposed areas of light.....more

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coarser. He also often depicted goblins in monochrome ink and Chung K'uei, using an eccentric manner.....more

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strokes. After Wang Hui roughly outlined the forms in light ink, he then used a dry brush to execute.....more

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are paintings of bamboo in monochrome ink. Wu Chen painted and gave the album to his son, Fo-nu, in 1350, when.....more

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are paintings of bamboo in monochrome ink. Wu Chen painted and gave the album to his son, Fo-nu, in 1350, when.....more

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