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符合的藏品

清馬元馭花卉 冊 牡丹

清馬元馭花卉 冊 牡丹

-hsi; sobriquets Ch’i-hsia and T’ien-yü shan-jen) was the son of the Ma Mei and a native of Ch.....more

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明丁雲鵬三生圖 軸

明丁雲鵬三生圖 軸

the ancient tale of the Three Births Stone. A certain Li Yüan of the T'ang dynasty (618-901) had.....more

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清馬元馭花卉 冊 梅花山茶

清馬元馭花卉 冊 梅花山茶

üan-yü (1669-1722) Ch’ing Dynasty Ma Yüan-yü (tzu Fu-hsi, hao Ch’i-hsia and T’ien-y.....more

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清赫奕煙江漁艇 軸

清赫奕煙江漁艇 軸

。&* The exact birth and death dates of Ho I (sobriquet Tan-shih) are unknown, though he is known to have been.....more

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清王原祁仿黃公望山水 軸

清王原祁仿黃公望山水 軸

is small, it is extremely fine. Wang Yüan-ch’i’s simple yet beautiful use of the brush surpasses.....more

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清王原祁畫松壑流泉 軸

清王原祁畫松壑流泉 軸

。&*The experienced use of the brush suggests that this painting was done during Wang Yüan-ch’i’s late.....more

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清馬元馭畫花卉 冊 桑椹蠶蛾

清馬元馭畫花卉 冊 桑椹蠶蛾

was Fu-hsi and his sobriquets were Ch’i-hsia and T’ien-yü shan-jen. He excelled in birds.....more

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清許佑籐花乳雞 軸

清許佑籐花乳雞 軸

under Wisteria Hsü Yu Ch'ing dynasty Hsü Yu (tzu P'i-ch'en and Pi-ch'en, hao I-an) came.....more

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明董其昌仿米瀟湘白雲 軸

明董其昌仿米瀟湘白雲 軸

》、《畫旨》、《畫禪室隨筆》諸書。對於後代的畫論及藝術發展影響甚鉅。   墨畫雲山數疊,喬林坡陀。通幅筆墨蒼厚腴潤,無論山皴、葉塊,皆神氣暢朗、秀潤蒼鬱。雖名仿摹,展現卻為己貌。&* Tung Ch’i.....more

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清王原祁畫山水 軸

清王原祁畫山水 軸

房舍 江河、湖海 國立故宮博物院 石渠寶笈三編(延春閣),第五冊,頁2215&*故宮書畫錄(卷八),第四冊,頁96&*Wang Yüan-ch'i, a native of T'ai-ts.....more

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清王學浩山水畫冊 冊

清王學浩山水畫冊 冊

the landscape painting of Wang Yüan-ch’i and then further explored the styles of Sung and Y.....more

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明顧正誼山水 軸

明顧正誼山水 軸

,思白從予指授,已自出藍,畫此質之,品評當不爽也。觀此則知董其昌嘗從學畫,足以補畫史之不足。細與董畫相較,亦多水乳交融之處,然而出藍之譽,非謙詞矣。 &* Ku Cheng-i.....more

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清赫奕秋山平遠 軸

清赫奕秋山平遠 軸

under Huang Ting but later became a student of Wang Yüan-ch’i. This work uses the “one river, two.....more

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清周凱青鐙課讀圖 軸

清周凱青鐙課讀圖 軸

the Yüan and Ming dynasties, especially Wang Yüan-ch’i (1642-1715) of the “Four Wangs.....more

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藝林清賞 冊 清偉元布袋和尚

藝林清賞 冊 清偉元布袋和尚

布袋和尚,本幅畫布袋和尚立於古樹下,袒腹露胸,舉手伸欠,布袋與荷杖置於其後。通幅以指作畫,點劃草草,而人物情態畢具。   本幅為「藝林清賞」第十一開。 &*The Monk Pu-tai Wei Y.....more

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