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符合的藏品

元楊維禎歲寒圖 軸

元楊維禎歲寒圖 軸

得清勁之氣。又自題詩句鏗鏘,書法遒秀,堪稱三絕。&*Yang Wei-chen (style name; Lien-fu, sobriquets; T'ieh-yai and Pao-i lao.....more

256/438
元馬琬秋山行旅 軸

元馬琬秋山行旅 軸

an unmistakable sense of purity and clarity. This painting bears no seal nor signature, but Tung Ch'i-ch.....more

257/438
唐戴嵩鬥牛圖 卷

唐戴嵩鬥牛圖 卷

also excelled at depicting the scenery of rustic life. Tai Sung and his younger brother (Tai I.....more

258/438
元趙雍江山放艇圖 軸

元趙雍江山放艇圖 軸

. The painting is unsigned but is attributed to Chao Yung in an inscription by Tung Ch'i-ch'ang (1555.....more

259/438
元人寒林茗話 軸

元人寒林茗話 軸

, bamboos are turning green, and the plum blossoms are opening. The scene I filled with the warm feelings.....more

260/438
明關思曲?清音 軸

明關思曲?清音 軸

inscription on the painting, Kuan states that he had seen a painting by Tung Ch’i-ch’ang (1555-1636) which.....more

261/438
明吳彬畫羅漢 軸

明吳彬畫羅漢 軸

is dated 1601 and indicates the work was in the Ch’i-hsia Temple. 本幅 151.1x80.7公分、全幅 91公分 明神宗萬曆二十九年(1601.....more

262/438
明林良畫鷹 軸

明林良畫鷹 軸

1457-1463) Ming Dynasty Lin Liang, style name I-shan, a native of Nan-hai in Kwangtung Province.....more

263/438
元朱德潤?嵐秋澗 軸

元朱德潤?嵐秋澗 軸

, but Tung Ch'i-ch'ang (1555-1636) has made the attribution. 本幅 102.6x44.3公分、詩塘 29.2x44.3公分、全幅 66公分 類型:繪畫 型.....more

264/438
明唐寅採菊圖 軸

明唐寅採菊圖 軸

mums by the Eastern Fence / I serenely gaze at the Southern Range” and “Autumn mums bring forth.....more

265/438
明唐寅燈霄閨話 軸

明唐寅燈霄閨話 軸

that the calligraphy was done by first drawing outlines and then filling them in with ink, i.e. it is a tracing copy.....more

266/438
明董其昌畫山水 軸

明董其昌畫山水 軸

之刻畫。壬子(一六一二)年,為陳廉(明卿)作此圖,時董氏五十八歲,後來此圖轉歸王時敏(遜之)收藏。 &* Tung Ch'i-ch'ang (style name Hsüan-tsai.....more

267/438
明陳槐畫天師圖 軸

明陳槐畫天師圖 軸

of the Han by Emperor Shun-t’i (r.1335-1340) of the Yüan dynasty. &*1.王耀庭,〈明陳槐畫天師圖〉,收入王耀庭、童文娥編,《長生的世界:道.....more

268/438
明沈周畫松岩聽泉圖 軸

明沈周畫松岩聽泉圖 軸

, style name Ch’i-nan, sobriquet Shih-t’ien, was a native of Ch’ang-chou, Kiangsu. He was an excellent.....more

269/438
清董邦達畫御花園古柏圖 軸

清董邦達畫御花園古柏圖 軸

painted in the spontaneous hsieh-i style, however, demonstrate Tung Pang-ta’s true brush. &*1.嵇若昕.....more

270/438

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