搜尋：hsi ni 在水墨分類當中

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元倪瓚?林遠岫圖　軸

（一三七二）年款，時七十二歲。然本幅題款，實摹自本院藏倪氏真本「容膝齊圖」。用筆亦無倪氏一代大家之健勁，顯係後代摹品。 &* Ni Tsan (style name Yüan-chen.....more

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元人法書　冊　倪瓚書詩五則

俗塵。本幅字體瘦勁，造型稍扁，但結字甚緊，筆畫尾端強調隸書的波磔動作，將隸書的趣味和張力與楷書結合，本幅為「元人法書」冊之二。&*Ni Tsan was a native of Kiangsu.....more

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清王原祁畫山水　軸

style of the Yüan master Ni Tsan. Wang did this attending to the K'ang-hsi Emperor at the Hs.....more

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宋元集繪　冊　元倪瓚竹枝

首。&*Ni Tsan was a native of of Wu-hsi, Kiangsu. His style name was Yüan-chen, sobriquet Yü.....more

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元倪瓚楓落吳江圖　軸

family in Wu-hsi, Kiangsu, Ni Tsan collected antique calligraphic works and paintings and built.....more

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元倪瓚遠岫樹石圖　軸

，然後駕著小船和鄉野的漁夫隱士往來。雲林的山水具有特殊的風格，構圖常作一河兩岸的取景，畫中樹石的安排都很簡單，而且畫面很少塗抹顏色，有著簡樸、天真淡雅的韻味。&*Ni Tsan (tzu Yü.....more

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名賢妙蹟　冊　元倪瓚野石修篁

葉筆力，可見其書法精湛。石頭紋理變化，全以皴擦苔點構築，凹凸分明。此畫構圖精簡，意趣天成。&*Ni Tsan was a native of Wu-hsi Kiangsu. His family.....more

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元倪瓚松林亭子　軸

作稍異。&*Ni Tsan was a native of Wu-hsi, Kiangsu. One of his sobriquets was Yün-lin, and he.....more

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元倪瓚容膝齋圖　軸

較多，中鋒多於側筆，近坡皴多染少，皴筆亦特覺清勁。&*Ni Tsan (tzu Yüan-chen, hao Yün-lin, Yü-weng) was a native.....more

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元倪瓚春雨新篁　軸

暗寄故國之思，復因逸筆簡率，時人乃得於畫幅空處題贊抒懷，益增作品畫外之趣。此幀墨竹題語多達十則，即為文人畫的具體印證。&*Ni Tsan, a native of Wu-hsi, Kiangsu.....more

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元倪瓚竹樹野石　軸

竹寒林．枯樹奇石國立故宮博物院石渠寶笈續編（獅子林），第七冊，頁4028 &*故宮書畫錄（卷五），第三冊，頁223-225 &*故宮書畫圖錄，第四冊，頁281-283&*Ni Tsan.....more

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清宋駿業林亭煙岫　軸

is based on one of Ni Tsan’s paintings; the ground lines, however, of both the background.....more

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元倪瓚江亭山色　軸

。秋林蕭瑟，坡岸縱橫，構景若星羅棋布，用筆用墨，渾然天成，但覺作畫之時，點擦皴染，筆筆若不相涉，而既成之後，則呼應靈動，關合甚嚴，所謂信手拈來，都成妙諦也，是雲林老年精品。七十二歲畫。&*Ni Tsan.....more

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集古圖繪　冊　元倪瓚畫竹石

七十歲。畫山石竹木，著意無多而筆墨極為秀挺，是雲林暮年精品。&*Ni Tsan was a native of Wu-hsi, Kiangsu. Naturally refined.....more

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明項德新秋江雲樹圖　軸

. The refined and pale ink of Hsiang’s brush contains its own fluid quality. This work, inspired by Ni Tsan.....more

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