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明人畫扇面 (乙) 冊 明人月下吹笛

明人畫扇面 (乙) 冊 明人月下...

moved to Wu County. He studied painting with Chou Ch’en, and was skilled in imitating the works.....more

1531/1721
清繡線佛像(五)文殊菩薩 軸

清繡線佛像(五)文殊菩薩 軸

) with a very gentle appearance. He relaxes and sits at ease on a brocaded daybed with his feet crossed.....more

1532/1721
清繡線佛像(七)釋迦牟尼佛 軸

清繡線佛像(七)釋迦牟尼佛 軸

-closed eyes as if in a serene state of bliss. He holds his right hand in the symbol of preaching.....more

1533/1721
五代梁關仝秋山晚翠 軸

五代梁關仝秋山晚翠 軸

文貴(約九六七-一0四四)略近,故時代應可置入北宋中期。 &*Kuan T'ung was a native of Ch'ang-an in Shansi. He was a pupil.....more

1534/1721
唐李昭道湖亭遊騎 軸

唐李昭道湖亭遊騎 軸

, the son of Li ssu-hsün, was born in T'ien-shui in Kansu province. He excelled in painting.....more

1535/1721
唐人春郊遊騎圖 軸

唐人春郊遊騎圖 軸

n the center is rendered frontally and wears clothing different from the other six, indicating that he may.....more

1536/1721
宋李公麟免冑圖 卷

宋李公麟免冑圖 卷

by Kuo’s loyalty to the T’ang and his bravery that he dropped his weapons, dismounted, and bowed.....more

1537/1721
元倪瓚容膝齋圖 軸

元倪瓚容膝齋圖 軸

of Wu-hsi, Kiangsu. Son of a wealthy merchant, he was a bibliophile, collector, amateur poet.....more

1538/1721
元倪瓚紫芝山房圖 軸

元倪瓚紫芝山房圖 軸

ovince, come from a wealthy family, allowing him to amass a collection of painting and calligraphy. He.....more

1539/1721
宋郭熙寒林圖 軸

宋郭熙寒林圖 軸

勁有力,墨色層層渲染,加重了灰黯的天空,襯白了寒雪,更顯得景物蕭條荒遠。&*Kuo Hsi was from Wen County, Honan. He served as an apprentice.....more

1540/1721
宋李唐江山小景 卷

宋李唐江山小景 卷

, was a native of Ho-yang (modern Meng-hsien, Honan). He entered the Painting Academy under Emperor Hui.....more

1541/1721
五代後蜀滕昌祐牡丹 軸

五代後蜀滕昌祐牡丹 軸

and color. He excelled in painting geese, flowers, fruit, birds, and insects. The famous bird.....more

1542/1721
明周臣水亭清興圖 軸

明周臣水亭清興圖 軸

style is aggressively bold; later he transmitted his methods to T’ang Yin and Ch’iu Ying. This painting.....more

1543/1721
明崔子忠雲中雞犬 軸

明崔子忠雲中雞犬 軸

齊飛昇而去。 &*Ts’ui Tzu-chung was a native of Shantung who adopted Peking as his home. He was a highly.....more

1544/1721
明張宏石屑山圖 軸

明張宏石屑山圖 軸

brushwork had a simple and archaic quality, and he used moist, fluid ink. He was also.....more

1545/1721

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