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明文徵明琴鶴圖清高宗御題　軸

to his hometown where he spent the rest of his life creating art works. This colored ruled-line.....more

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varies considerably from rough to fine, the strokes are all compact and fluid. The rich and dark moss.....more

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of the rocks and mountains are similar to axe-cut texture strokes--thick but not lumpy, fine but not fragile.....more

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in the “fine-line” “sketching from life” tradition of the Sung. Hsüan-tsung often presented gifts of.....more

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on the ancient I-ching. The brushwork is fine yet strong, dense yet not chaotic. Light washes.....more

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of the more unusual figures in Chinese art history. This work was donated to the National Palace Museum by Mr.....more

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Lang Shih-ning, was a Jesuit missionary from Italy. Known for his exceptionally fine skill.....more

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)&*The title of this work was given by the editors of the Ch'ing dynasty imperial art catalogue Treasured.....more

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)&*The title of this work was given by the editors of the Ch'ing dynasty imperial art catalogue Treasured.....more

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as an Art Student in the Painting Academy under Emperor Renzong. He was skilled at depicting.....more

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ation of the horses, figures, and willow tree reveal the use of shading techniques found in Western art.....more

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, he arrived in China as a missionary. With an art background, he also painted for the court under.....more

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