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元趙孟頫書晝錦堂記　軸

Sung-hsueh tao-jen; also known as Ou-p'o) was a native of Wu-hsing, Chekiang. Although he.....more

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was equally talented at depicting flowers, fruit, and birds in monochrome ink. When Liu Hsien-chih of Liao.....more

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）。」本幅共一千二百餘字。銘文為李衎之友邵明仲所撰，而張亦李之好友，戮力投注之下，自屬難得之精心傑作。然點畫之際，筆力稍弱，疑為後世倣本。&*Chang Chi-chih (style name.....more

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he Four Wangs of the Ch’ing dynasty, was from T’ai-ts’ang in Kiangsu. His tzu (style name) was Hsun-chih.....more

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distinctive. Furthermore, while the historical records compare Ch’in Chi’s calligraphy to that of Ou-yang.....more

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Tsai-tung; sobriquets Tien-lun and Chih-wo t’ou-t’uo) began his study of painting following the Sung.....more

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'ai Hsiang(1012-1067), but was later influenced by the styles of Hsü Hao(703-782) and Ou-yang.....more

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into album leaves. Following the album are colophons by Sung Feng-ch'ou and Chao Meng-fu (1254-1322.....more

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, Tiger Hill, Chih-hsing Mountain, and Lake T’ai. Shen Chou based this work on his own experiences.....more

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that of Ou-yang Hsun, and his running cursive like that of Wang Hsien-chih. His cursive script also bears.....more

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. His style name was Hsün-chih; he was also known as Yen-k’o, Hsi-lu lao-jen, Hsi-t’ien chu-jen.....more

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