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宋人法書（四）　冊　張即之上問...

亦愛重之，其影響甚遠播日本。此幀為上問尊堂太安人尺牘，筆墨酣暢，老筆勁健，頗具米南宮之氣息。不失為南宋末期，最負盛名大書家之墨蹟。本幅為「宋人法書」第四冊第十七開。&*Chang Chi-chih.....more

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was equally talented at depicting flowers, fruit, and birds in monochrome ink. When Liu Hsien-chih of Liao.....more

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）。」本幅共一千二百餘字。銘文為李衎之友邵明仲所撰，而張亦李之好友，戮力投注之下，自屬難得之精心傑作。然點畫之際，筆力稍弱，疑為後世倣本。&*Chang Chi-chih (style name.....more

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間閒聊。畫法則以指代筆，畫來形體雖與用筆無異，惟線條則較一般用筆尖削，敷染略具光影效果，馬之圓渾體形，是刻意強化處。 &* Kao Ch’i-p’ei (style name Wei-chih.....more

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ü-yüan, and Ch’ing-tsai chü-shih) was a native of Feng-t’ien (modern Shen-yang, Liao.....more

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。溪水溶溶，遠山春靄，春意甚濃。全圖筆觸蒼勁，墨色濃淡有致，層次分明。 &* Kao Ch’i-p’ei whose style name was Wei-chih and sobriquets Ch.....more

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