搜尋:chih liang 在 水墨 分類當中

符合的藏品

名畫薈萃 冊 宋梁楷山陰書箑圖

名畫薈萃 冊 宋梁楷山陰書箑圖

還有一名侍從,捧著硯台侍候。畫中每個人物均表情生動,衣紋線條瀟灑流暢,雖然不見得是梁楷親筆所作,卻能充分掌握住寫意人物的簡率趣味。&*Liang K'ai served as a Painter.....more

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唐褚遂良摹王羲之長風帖 卷

唐褚遂良摹王羲之長風帖 卷

Sui-liang was a native of Ch'ien-t'ang in Chekiang. His style name was Teng-shan. Widely read.....more

2/17
唐閻立本十八學士于志寧書讚 卷

唐閻立本十八學士于志寧書讚 卷

, including Tu Ju-hui, Fang Hsüan-ling and Yü Chih-ning. Yen Li-pen was ordered to paint.....more

3/17
宋張即之書李衎墓志銘 卷

宋張即之書李衎墓志銘 卷

)。」 本幅共一千二百餘字。銘文為李衎之友邵明仲所撰,而張亦李之好友,戮力投注之下,自屬難得之精心傑作。然點畫之際,筆力稍弱,疑為後世倣本。&*Chang Chi-chih (style name.....more

4/17
明唐寅高士圖 卷

明唐寅高士圖 卷

of 4 sections imitating the styles of the Sung painters Li Kung-lin, Liu Sung-nien, Ma Ho-chih.....more

5/17
明人扇頭畫 冊 明孫克弘梅竹

明人扇頭畫 冊 明孫克弘梅竹

-hung (1533-1611) Ming Dynasty Sun K’o-hung (tzu Ch’ung-chih, hao Hsüeh-chu) was a native of Hua.....more

6/17
元曹善書山海經(一) 冊

元曹善書山海經(一) 冊

(style name Shih-liang, sobriquet Shu-san-sheng) was a native of Hua-t'ing, Kiangsu who was famous.....more

7/17
元曹善書山海經(二) 冊

元曹善書山海經(二) 冊

collectively called the "Three Ts'ao's of Wu." According to biographies, however, Ts'ao Chih-po's son Yung.....more

8/17
元曹善書山海經(三) 冊

元曹善書山海經(三) 冊

),書風質樸端嚴,結字參差,用筆古拙之處可見鍾繇遺法。&*Ts'ao Shan (style name Shih-liang, sobriquet Shu-san-sheng) was a native.....more

9/17
花卉畫冊 冊 明孫克弘芙蓉

花卉畫冊 冊 明孫克弘芙蓉

ün-chih, sobriquet Hsüeh-chü), a native of Sung-chiang (modern Shanghai), possessed.....more

10/17
清世祖畫鍾馗 軸

清世祖畫鍾馗 軸

was the Ch’ing emperor and his reign title was Hsun-chih. This painting was done in 1655 when Shih.....more

11/17
清艾啟蒙畫寶吉騮圖 軸

清艾啟蒙畫寶吉騮圖 軸

by the Ch’ien-lung enperor (r. 1736-1795) and written by the official Liang Kuo-chih. It states.....more

12/17
元曹善書山海經(四) 冊

元曹善書山海經(四) 冊

),書風質樸端嚴,結字參差,用筆古拙之處可見鍾繇遺法。&*Ts'ao Shan (style name Shih-liang, sobriquet Shu-san-sheng) was a native.....more

13/17
明欽揖千巖萬壑圖 軸

明欽揖千巖萬壑圖 軸

Hsu and Ch’u Shui-liang, the calligraphy inscribed on this unusual scroll is closer to the style.....more

14/17
集古名繪 冊 明李在圮上授書

集古名繪 冊 明李在圮上授書

,山石以側鋒皴染,人物被框圍於其間,衣紋描法勁健流利,樹葉則簡化為濃淡有致的苔點墨痕,用筆豪放恣肆,不拘細節。&*Chang Liang Receiving the Text Li Tsai.....more

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