符合的藏品

共找到 13 筆符合的資料

民國譚澤闓行書七言聯　軸

also grasp the variations of angled and rounded strokes, striking a perfect balance between hard.....more

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of shapes balance the one-sided composition. The entire painting reveals a strong but gentle.....more

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in an orderly arrangement. Grasses below the rock bend in the breeze to form a balance of stillness.....more

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and a fresh new shoot. The use of brush is strong yet crisp and elegant, producing a harmonious balance.....more

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, sits on the opposite side from the water buffalo moving at the right. The balance they form.....more

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attempting to achieve technical perfection, yet it manages to reach a balance. Despite the speed.....more

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of balance as well as archaism to the work. This tapestry is the 5th leaf from the album “Gems.....more

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and ink glistens in the Yüan dynasty manner of Huang Kung-wang (1269-1354). The balance.....more

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. The effective balance between the two makes this an example of a kind of rough figure style from Tai.....more

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bark and the sharp brushwork of the bamboo leaves and stems. The result is a perfect balance between.....more

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. To balance the solid and void in the composition, the artist also consciously lengthened the trunk.....more

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forming a U-shape which envelopes the focus of the painting (the geese) inside. The balance and harmony.....more

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is one of powerful balance and a sense of the uncontrived naturalness of the primeval world. &*林良（約1424.....more

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