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宋人翠竹翎毛　軸

strokes" of varying thickness. The ink and brushwork were applied with naturalness and spirit. Part.....more

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family style. This work, done in the winter of 1559, belongs to the “complete-scenery” type of flower.....more

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was the leading artist of his day and greatly influenced later generations of painters. In this work.....more

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the Ministry of Rites. His landscape paintings were greatly influenced by Tung Ch'i-ch'ang. In this work.....more

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of attention and also includes a branch of crab apple behind it. This small but marvelous work reflects Lu’s.....more

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used light outlines to delineate the mountain forms, he added a little texturing and then applied “ox.....more

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here using dry lines and textures to which light ink from a moist brush was applied. Several Chinese.....more

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and accurate, the colors rich and beautiful, thereby giving the work a luxurious and opulent grace.....more

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” manner using “boneless” washes entirely in ink. The work depicts three blossoms of peonies in front.....more

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at the painting of landscapes and bamboo-and-stone subjects. This work was done in 1350 at the Chinese age of 71.....more

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at the painting of landscapes and bamboo-and-stone subjects. This work was done in 1350 at the Chinese age of 71.....more

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