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清鄒一桂畫藤花 軸

清鄒一桂畫藤花 軸

of the Hsiao-shan hua-p’u, a book on painting theory. In flower painting he began by following the “boneless.....more

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清姚文瀚臨宋人維摩像 軸

清姚文瀚臨宋人維摩像 軸

Kuan-p’eng were much admired at court. This work is a copy after Vimalakìrti by a Sung Paint.....more

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清鄒一桂歲朝圖 軸

清鄒一桂歲朝圖 軸

paintings derived from the style of Yün Shou-p’ing. Many of his best works were commissioned.....more

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宋元明人合璧 冊 宋劉松年柳橋雪閣

宋元明人合璧 冊 宋劉松年柳橋...

was a native of Ch'ien-t'ang in Chekiang Provice, and later lived outside of the Ch'ing-p'o gate resulting.....more

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清人繡觀音大士像 軸

清人繡觀音大士像 軸

are afflicted with illnesses and thus holds a willow branch. This Kuan-yin is also called Pâ.....more

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宋林逋手札二帖 冊

宋林逋手札二帖 冊

之者。吳寬詠林書謂。果然遺墨似其人。如倚清風捫瘦竹。可謂善於形容矣。&*Lin P'u was a native of Ch'en-t'ang, Chekiang. His style name.....more

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明商喜歲朝圖 軸

明商喜歲朝圖 軸

。 &* Shang Hsi was a native of P’u-yang, Shantung province. His tzu (style name) was Wei-chi.....more

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宋元四家書 冊 元歐陽玄書五言古詩

宋元四家書 冊 元歐陽玄書五言...

to that of Su Tung-p'o. It is angular and free-flowing, quite different from the ordinary. 本幅 25.....more

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明劉廣畫端陽景 軸

明劉廣畫端陽景 軸

name Yüan-p’o, was a native of Ch’ang-chou (modern Soochow, Kiangsu). He was a capable painter.....more

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清蔣廷錫畫敖漢千葉蓮 軸

清蔣廷錫畫敖漢千葉蓮 軸

in the “boneless’ (wash) style, he followed the style of Yün Shou-p’ing (1633-1690). In 1722, Chiang recorded.....more

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清王原祁春雲出岫 軸

清王原祁春雲出岫 軸

was chief compiler of the 1708 imperial catalogue P'ei-wen chai shu-hua p'u. Though not dated.....more

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元趙孟頫鮮于樞墨蹟合冊 冊

元趙孟頫鮮于樞墨蹟合冊 冊

” work in Chang Chih-chung’s collection. The other is a copy from “Biography of P’ei Hsing-chien.....more

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清鄒一桂太古雲嵐 軸

清鄒一桂太古雲嵐 軸

in the theory as well as the practice of painting and authored a manual of painting, Hsiao-shan hua-p’u. Tsou I.....more

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清蔣廷錫畫四瑞慶登圖 軸

清蔣廷錫畫四瑞慶登圖 軸

of bird-and-flower painting in the “boneless” (wash) style, he followed the style of Yün Shou-p’ing.....more

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明丁雲鵬東山圖 軸

明丁雲鵬東山圖 軸

深,近似元代王蒙之風格。 &*Ting Yün-p'eng was a native of Hsiu-ning, Anhwei. His style name was Nan-yü.....more

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