搜尋:_|t| 在 水墨 分類當中

符合的藏品

明沈周畫瓶中蠟梅 軸

明沈周畫瓶中蠟梅 軸

) Ming Dynasty Shen Chou (tzu Ch’i-nan, hao Shih-t’ien and Pai-shih-weng) was a native of Ch’ang-chou.....more

196/816
清王翬平林散牧圖 軸

清王翬平林散牧圖 軸

on the picture, the artist said: “T’ang Yin made an excellent copy of the lost Cattle and a Wooded Plain by Wen.....more

197/816
清王原祁?浮遠岫圖 軸

清王原祁?浮遠岫圖 軸

and sobriquet, Lu-t’ai) was a native of T’ai-ts’ang, Kiangsu. He was a grandson of the noted artist.....more

198/816
清王原祁仿倪瓚山水 軸

清王原祁仿倪瓚山水 軸

實別有沙彌(吳鎮)蹤跡。故雅韻之中,饒沉酣意趣,為七十一歲時作。 &* Wang Yűan-ch’i (style name; Mao-ching, sobriquet; Lu-t’ai.....more

199/816
清唐岱畫歸隱圖 軸

清唐岱畫歸隱圖 軸

空,泉流縈抱。用筆細緻,山石多用乾筆,帶皴帶擦,特重山勢向背。款署:「康熙六十二年(一七二0)二月靜巖唐岱」,故知此畫乃其四十八歲之作。 &*Returning to the Hermitage T.....more

200/816
宋賢書翰 冊 宋蔡襄致彥猷尺牘

宋賢書翰 冊 宋蔡襄致彥猷尺牘

Great Northern Sung Masters of calligraphy. Ts'ai's running script followed that of Chin and T'ang.....more

201/816
清王時敏松巖靜樂圖 軸

清王時敏松巖靜樂圖 軸

of the Four Wangs of the Ch’ing dynasty, was from T’ai-ts’ang in Kiangsu. His tzu (style name) was Hsun-chih.....more

202/816
清戴天瑞秋山落照 軸

清戴天瑞秋山落照 軸

重疊,林木相錯,山陬水湄,亭宇相望。全作以指代筆,樹石皆用指甲指頭沾墨和水,細鉤重染,意韻醇厚,毫無一般指畫之野氣。 &* Tai T’ien-jui (style name His-t’ang.....more

203/816
清金廷標竹溪六逸 軸

清金廷標竹溪六逸 軸

。 &* Chin T’ing-piao (style name Shih-k’uei) was a native of Wu-ch’eng (modern Wu-hsing, Chekiang.....more

204/816
清王原祁畫山水 冊 仿雲林山水

清王原祁畫山水 冊 仿雲林山水

Mao-ch’ing, sobriquets Lu-t’ai and Shih-shih tao-jen, was a native of T’ai-ts’ang, Kiangsu Province.....more

205/816
清王原祁畫山水 冊 仿米氏雲山

清王原祁畫山水 冊 仿米氏雲山

(style-name Mao-ching; sobriquet Lu-t’ai) was a native of T’ai-ts’ang, Kiangsu. A grandson of Wang.....more

206/816
明徐渭畫竹 卷

明徐渭畫竹 卷

was from shan-yin in Chekiang. His sytle name was Wen-ch’ang; he was also known under the sobriquet T’ien.....more

207/816
清王原祁倣倪黃山水 軸

清王原祁倣倪黃山水 軸

。 &* Wang Yűan-ch’i (style-name Mao-ch’ing; sobriquet Lu-t’ai) was a native of T’ai-ts’ang, Kiangsu.....more

208/816
清張廷彥青女素娥 軸

清張廷彥青女素娥 軸

; and Chang-o Chang T’ing-yen (1735-1794) Ch’ing Dynasty (1644-1911) According to Chinese mythology.....more

209/816
清蔣廷錫畫水仙 軸

清蔣廷錫畫水仙 軸

線條鉤出輪廓,僅花心、花托等處加染淡墨而已;竹則以筆沾墨直接描繪,未加鉤勒。通幅為寫意的手法,無論竹葉或坡石上的小草、苔點,均顯現出墨色各種深淺濃淡的變化。 &* Chiang T’ing-hsi.....more

210/816

_|t| 在 水墨 分類當中 的相關搜尋