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清鄒一桂畫秋色 軸

清鄒一桂畫秋色 軸

葉片由綠轉為紅黃兩色,乍看易將變色葉視作花朵。鄒一桂花卉學惲壽平沒骨疊色漬染,設色秀潤淡雅,畫意盡在畫家題詩之中。 &* Tsou I-kuei (style name Yüan-pao.....more

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清弘?墨筆叢岩疊翠 軸

清弘?墨筆叢岩疊翠 軸

&* Hung Wu (surname Ai-hsin chüeh-Io [Aisin Gioro], style names Shu-chai and Tsui-yü.....more

182/720
清董邦達仙廬澄霽 軸

清董邦達仙廬澄霽 軸

. An excellent calligrapher and painter, Tung painted landscapes in the style of the Yüan dynasty masters.....more

183/720
清唐岱倣王蒙山水 軸

清唐岱倣王蒙山水 軸

reigns, 1662-1795) was a Manchurian. His style-name was Yü-tung and he was also known as Ching-yen.....more

184/720
清陳書仿王蒙夏日山居圖 軸

清陳書仿王蒙夏日山居圖 軸

was Shang-yüan ti-tzu but later she also adopted the sobriquet Nan-lou lao-jen. She married Ch’ien.....more

185/720
清王鑑溪山深秀 軸

清王鑑溪山深秀 軸

the grandson of Wang Shih-chen, was a native of T’ai-ts’ang in Kiangsu province. His style name was Yü.....more

186/720
清陳書山靜日長圖 軸

清陳書山靜日長圖 軸

esidence in Summer Ch’en Shu (1660-1736) Ch’ing Dynasty The woman artist Ch’en shu (sobriquet Shang-y.....more

187/720
宋馬遠畫王羲之玩鵝圖 軸

宋馬遠畫王羲之玩鵝圖 軸

attributed to Ma Yüan. The figures, clothing, bark, axe-cut texturing, and even the coloring all.....more

188/720
明文徵明書蘭亭敘 卷

明文徵明書蘭亭敘 卷

, Kiangsu. His given name was Pi, his style name was Cheng-ming, and his sobriquets were T’ing-yün.....more

189/720
清唐岱風雨歸舟圖 軸

清唐岱風雨歸舟圖 軸

was Yü-tung, and sobriquets Ching-yen, Chih-sheng, and Mo-chuang. T’ang acted as superintende.....more

190/720
清鄒一桂畫藤花 軸

清鄒一桂畫藤花 軸

屬宮廷應制而畫,作畫態度,循規蹈矩,不敢稍意逾越,因此,用筆工細,著色穠艷,特別具有一種精美富麗的氣息。 &* Tsou I-kuei was style-named Yüan-pao.....more

191/720
清程志道摹丁雲鵬羅漢 卷

清程志道摹丁雲鵬羅漢 卷

particularly excelled at landscape painting and studied the Lou-tung school of Wang Yüan-ch’i. Next.....more

192/720
宋元集繪 冊 宋林椿寫生海棠

宋元集繪 冊 宋林椿寫生海棠

the album “Collected Paintings of the Sung and Yüan.” 本幅 23.4x24公分、對幅 23.4x24公分、全幅 43.1x75.9公分 類型:繪畫.....more

193/720
明人便面畫冊(二) 冊 明魯治牡丹

明人便面畫冊(二) 冊 明魯治...

the influence of the Ming dynasty painter Shen Chou. Lu chih, whose sobriquet was Ch’i Yün, was from.....more

194/720
明董其昌倣宋元人縮本畫及跋 冊 倣趙孟頫夏山幽居

明董其昌倣宋元人縮本畫及跋 冊...

大》析疑〉,收入《朵雲》編輯部編,《清初四王畫派研究論文集》(上海:上海書畫出版社,1993),頁505-582。&*Wen C. Fong and James C. Y. Watt.....more

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