符合的藏品

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五代南唐趙幹煙靄秋涉圖　軸

抱，此境益為幽深絕塵。舊傳本幅為趙幹之作。 &* Chao Kan, from Chiang-ning (Nanking), served in the Imperial Painting.....more

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抱，此境益為幽深絕塵。舊傳本幅為趙幹之作。 &* Chao Kan, from Chiang-ning (Nanking), served in the Imperial Painting.....more

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or signature of the artist, this work was attributed to Han Kan. A native of Ta-liang (modern K’ai-feng.....more

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by his teacher-master Feng-kan, therefore he was given the name--- Shih-te, meaning "Picked-up.....more

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was adopted by his teacher, the Ch’an master Feng-kan. Along with Han-shan, he was said to be an amiable.....more

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。 &* Although Ch’eng Cheng-k’uel was originally a native of Hsiao-kan in Hupei province, he moved.....more

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. Gifted at depicting horses, he studied the styles of Han Kan (ca. 715-after 781) and Li Kung-lin (1049.....more

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that when his teacher, Ch'an master Feng-kan, heard a baby crying while walking on a path at Ch’ih-ch'eng.....more

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中，亦以民婦姿態出現。前置竹籃中，有魚一尾，卻與觀音的衣紋線條和臉部輪廓線一般，俱因年代久遠而模糊不清，僅依稀可見魚鱗而已。&*According to the Kuan-yin kan-ying.....more

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for the tomb epitaph of his friend, Li Kan (ca. 1245-1320). With more than 1,200 characters.....more

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in a painting attributed to Han Kan (fl. 8th c.) entitled "Gibbons and Horses" in the Museum.....more

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