搜尋:A? 在 水墨 分類當中

符合的藏品

明錢穀石湖八景圖 冊

明錢穀石湖八景圖 冊

, the River Yüeh-lai, the Hsin-ch’un Bridge, the Chiao-t’ai Terrace, the Ku-teng Grove.....more

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明陳洪綬畫隱居十六觀 冊 孤往

明陳洪綬畫隱居十六觀 冊 孤往

” (ku wang) appear in T’ao Yüan-ming’s poem Returning Home: “Embracing the fair weather I go.....more

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明仇英群仙會祝圖 軸

明仇英群仙會祝圖 軸

his horn, Lan Ts’ai-ho his castinets, and Chang Kuo-lao, Ts’ao Kuo-chiu, Chung Han-li, and Ho Hsien-ku.....more

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明武宗畫哈叭驚蟬圖 軸

明武宗畫哈叭驚蟬圖 軸

Wu-tsung (r. 1506-1521), the base of tree actually bears the signature of Li Ao. He was a court.....more

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明尤求書閣早梅 軸

明尤求書閣早梅 軸

; Ch'iu (style name Tzu-ch'iu, sobriquet Feng-ch'iu) was born in Soochow but lived in T'ai-ts'ang.....more

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六朝宋陸探微歸去來辭圖 卷

六朝宋陸探微歸去來辭圖 卷

", T'ao Yüan-ming, appears here returning home in a boat with a pot of his favorite flowers.....more

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宋李相東籬秋色圖 軸

宋李相東籬秋色圖 軸

are approaching. Within the fenced garden before the main building sits the poet T’ao Yüan-ming quietly.....more

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元龔開鍾進士移居圖 卷

元龔開鍾進士移居圖 卷

「中山出遊圖」卷相較,畫風全然不似。幅中諸多寓意吉祥之物,如元寶、魁星、風燈、梯、貓、魚、蝙蝠、蜘蛛等,於明代作品中較常見及,據此推斷本幅的成作年代,應不致早於明。&*Kung K'ai (style.....more

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明仇英臨閻立本文姬歸漢圖 卷

明仇英臨閻立本文姬歸漢圖 卷

印,可是全卷的人物造型呆滯,缺乏生趣,和仇英的畫風有相當大的差距,應是一件後人冒用他名字的作品。&* Ts’ai Wen-chi (b. 177 AD), the daughter of Ts’ai.....more

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元人法書 冊 倪瓚書詩五則

元人法書 冊 倪瓚書詩五則

untrammeled and desolate like that of the famous poet T'ao Yuan-ming (372-427). The style of this piece.....more

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元人法書 冊 楊維禎書晚節堂詩

元人法書 冊 楊維禎書晚節堂詩

'ai. Because of his stubborn, rash, and straightforward personality, he often encountered.....more

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明文徵明草書七言詩 軸

明文徵明草書七言詩 軸

of energy permeates the entire work. In the poem, he mentions a monastery on Mt. T’ai-p’ing which.....more

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元管道昇書孝經 卷

元管道昇書孝經 卷

that of the Ts'ao-e stele and incorporates elements of the style of Ch'u Sui-liang (596-658). Traditionally.....more

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宋蔡襄自書謝表並詩 卷

宋蔡襄自書謝表並詩 卷

〈1052年〉上親書「君謨」二字賜之,蔡襄獲此殊遇,表謝君恩,附以七言律詩一首。然其筆法姿媚,惟頓挫轉折之際,欠缺筆力,疑為後人倣作。&*Ts'ai Hsiang(style name Chü.....more

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唐褚遂良書倪寬傳贊 卷

唐褚遂良書倪寬傳贊 卷

calligrapher of the time. Wei Cheng recommended him to Emperor T'ai-tsung. The characters here.....more

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