符合的藏品

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明呂紀秋渚水禽　軸

家有極大的影響。（譚怡令） Geese on a Bank in Autumn Lü Chi (act. ca. 1439-1505) Ming Dynasty Lü Chi.....more

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) Ch’ing Dynasty A native of Kiangsu, Yün Shou-p’ing was a leading essayist and poet.....more

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待放，一朵灼灼盛開。全作以沒骨設色為之，直接以色染畫，復加勾畫葉脈筋絡，極具柔活瀟灑、典雅明麗之氣息。 Peonies Yün Shou-p'ing (1633-1690) Ch'ing.....more

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is similar to “Myriad Trees and strange Peaks “by Li T'ang (ca. 1049-after 1130). However ,the use.....more

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, but it was attributed by the Ch'ing collector Liang Ch'ing-piao (1620-1691) to Huang Ch'üan. The style.....more

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描寫雖佳，亦不類其一貫風格，完成時代約在明末。 The immortal Liu Hai-ch'an appears here under an old pine and leans forward.....more

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to Huang Ch'üan, but the style appears closer to the Southern Sung court manner. In fact.....more

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bears no seals or signature, but it old label attributes it to the monk Hui-ch'ung, who was a native.....more

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are all characterized by refinement and technical virtuosity. Wang was from Ch’ang-chou in Kiangsu.....more

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, hao Ch’un-ku and Lin-wu shan-jen) was active during the K’ang-hsi period (1662-1722). He.....more

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for describing this world of detail. The Ch'ing artist Wang Kai wrote in the Mustard Seed Manual of Painting.....more

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Blossoms and Solitary Bird Pien Wen-chin (act. ca. 1403-1428) Ming Dynasty Pien Wen-chin was named.....more

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